Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-26T09:04:17.541Z Has data issue: false hasContentIssue false
  • English
  • Français

Ayn and the Actor

The Immanent Truth in the Works of Ideogram Théâtre

Published online by Cambridge University Press:  01 March 2022

Şebnem Sözer Özdemir
Get access Rights & Permissions [Opens in a new window]

Abstract

The works of Ideogram Théâtre offer a concrete example of how the Sufi teaching of Anatolia (tasavvuf) might today inspire a distinctive approach to the actor’s art. With actors who are not only doers but also witnesses of the truth behind their actions, Ideogram Théâtre makes visible the Sufi concept of ayn, which considers each human being a mirror of truth for another. Through their work, the essence of the 700‐year‐old ritual performance of semâ lives on the theatre stage.

Type
Article
Information
TDR , Volume 66 , Issue 1 , March 2022 , pp. 119 - 136
Copyright
© The Author(s) 2022. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

And, Metin. 1977. “The Mevlana Ceremony [Turkey].” TDR 21, 3 (T75):83–94. doi.org/10.2307/1145153.Google Scholar
Barber, X. Theodore. 1986. “Four Interpretations of Mevlevi Dervish Dance, 1920–1929.” Dance Chronicle 9, 3:328–55.CrossRefGoogle Scholar
Behar, Cem. 2014. Aşk Olmayınca Meşk Olmaz: Geleneksel Osmanlı/Türk Müziğinde Öğretim ve İntikal [There can be no Meşk without Love: Teaching and Transmission in Traditional Ottoman/Turkish Music]. Istanbul: Yapı Kredi Yayınları.Google Scholar
Cebecioğlu, Ethem. 2014. “Tevekkül.” In Tasavvuf Terimleri ve Deyimleri Sözlüğü [Dictionary of Tasavvuf Terms and Idioms], 494. Istanbul: Otto Yayınları.Google Scholar
Ceyhan, Semih. 2009. “Semâ.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 36:455–57. Istanbul: Türk Diyanet Vakfı.Google Scholar
Contemplations Project. n.d. “Seyirler Projesi Kapadokya Festivali” [The Contemplations Project Festival of Cappadocia]. Accessed 23 December 2020. https://seyirlerprojesi.wordpress.com/seyirler-projesi-kapadokya-festivali/.Google Scholar
CRT Ideogram Theatre. 2016. “Théâtre Ideogram à Paris 20ème! ancien CRT St Blaise” [Centre de Recherches Théâtrales]. Facebook, 14 October. www.facebook.com/ideogramtheatre/?__tn__=%2Cd%2CP-R&eid=ARCgLuuMDa-cfAatV4wlEOUtw4whEBUovQGGsD7PdQCyJY6Zj8Y-5PfqX4q9smN0nrJb9dRP9evW5xf9.Google Scholar
Demir, Aras. 2014. Sidetracks: En Route to the Statue of Liberty. Victoria: Friesen Press.Google Scholar
Demirci, Mehmet. 1997. “Hâl‐tasavvuf.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 15:216–18. Istanbul: Türk Diyanet Vakfı.Google Scholar
Dönmez, İbrahim K. 2013. “Zâhir.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 44:85–87. Istanbul: Türk Diyanet Vakfı.Google Scholar
Gade, Anna M. 2008. “Islam.” In The Oxford Handbook of Religion and Emotion, ed. Corrigan, John, 35–47. Oxford: Oxford University Press.Google Scholar
Gill-Gürtan, Denise. 2011. “Performing Meşk, Narrating History: Legacies of Transmission in Contemporary Turkish Musical Practices.” Comparative Studies of South Asia, Africa and the Middle East 31, 3:615–30. doi.org/10.1215/1089201X‐1426773.CrossRefGoogle Scholar
Gökcan, Mahmut. 2018. “Tasavvufta Tevekkül Anlayışı” [Mentality of Tevekkül in Tasavvuf]. Çukurova Üniversitesi İlahiyat Fakültesi Dergisi [Journal of Faculty of Divinity of Cukurova University] 18, 1:131–65. doi.org/10.30627/cuilah.440614.CrossRefGoogle Scholar
Gölpınarlı, Abdülbaki. 2006. Mevlevi Âdâb ve Erkânı [Mevlevi Ethics and Manners]. Istanbul: İnkılap Kitabevi Yayın.Google Scholar
Gumarova, Melike. 1997. “Köroğlu Destanı” [The Epic of Köroğlu]. Türk Dünyası Dil ve Edebiyat Dergisi [Turkish World Journal of Language and Literature] 3:49–61.Google Scholar
Gümüş, Filiz. 2018. “Tiyatro, Doğu ve Batı’yı Birleştirirse…” [If Theatre Unites East and West…]. Aydınlık, 21 January. www.aydinlik.com.tr/tiyatro-dogu-ve-bati-yi-birlestirirse-filiz-gumus-kose-yazilari‐ocak‐2018.Google Scholar
Güray, Cenk. 2010. “Semâ’dan Semah’a Bir Sonsuz Devir” [An Eternal Cycle from Semâ to Semah]. Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi [Turkish Culture and Haci Bektas Veli Research Quarterly] 56:119–52.Google Scholar
Hürriyet. 2003. “Paris’te Shakespeare’e ‘Sufi Bakış’” [“Sufi Look” at Shakespeare in Paris], 12 May. www.hurriyet.com.tr/gundem/pariste-shakespearee-sufi-bakis-146264.Google Scholar
Ideogram Théâtre. n.d. Accessed 7 July 2020. https://ideogramarts.com.Google Scholar
Ideogram Theatre. 2012a. “Oyuncunun Otonomisi, Haziran–Ekim 2011” [Autonomy of the Actor, June–October 2011]. İdeogram Projesi, 21 November. https://ideogramprojesi.wordpress.com/2012/11/21/oyuncunun-otonomisi-haziran-ekim-2011/.Google Scholar
Ideogram Theatre. 2012b. “Sufi Geleneği Aracılığıyla Oyuncu, Kısa Dönem Staj, Kapadokya, Eylül 2011” [Actor Via Sufi Tradition, Short‐Term Course, Cappadocia, September 2011]. İdeogram Projesi, 21 November. https://ideogramprojesi.wordpress.com/2012/11/21/sufi-gelenegi-araciligiyla-oyuncu-kisa-donem-staj-kapadokya-eylul-2011.Google Scholar
Kaleci, Ali İhsan. 2015a. İnsana Ayna İnsan, Tiyatro [Human as the Mirror of Human, Theatre]. Ankara: İdeogram Tiyatro.Google Scholar
Kaleci, Ali İhsan. 2015b. Tiyatro İşte Bu Ağaç [Theatre Is Indeed this Tree]. Ankara: İdeogram Tiyatro.Google Scholar
Kaleci, Ali İhsan. 2015c. Yer ve Gök Arasında Köroğlu [Between Earth and Sky Köroğlu]. Unpublished manuscript.Google Scholar
Kaleci, Ali İhsan. 2018. Gün Batımı [Twilight]. Unpublished manuscript.Google Scholar
Kaleci, Ali İhsan. 2019. Viyana’da Yeşil Park [Green Park in Vienna]. Unpublished manuscript.Google Scholar
Öngören, Reşat. 2011. “Tasavvuf.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 40:119–26. Istanbul: Türk Diyanet Vakfı.Google Scholar
Özkan, İ. Hakkı. 2008. “Introduction: Mawlana and Mawlawism.” In Mevlevi Ayinleri: The Music of Divine Love, by Fatih Salgar, M., 10–71. Istanbul: Ötüken Yayınları.Google Scholar
Pala, İskender. 2002. “Kırk.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 25:466–67. Ankara: Türk Diyanet Vakfı.Google Scholar
Shakespeare, William. 1999. “Macbeth.” In Macbeth, ed. Braunmuller, Albert R., 99–238. Los Angeles: Cambridge University Press.Google Scholar
Soylu Bagçeci, Fulya. 2017. “Günümüz Anlayışında Mevlevîlik ve Mevlevî Ayinleri” [Mevleviyeh and Maulawi Rituals in Today’s Mentality]. PhD diss., Erciyes University, Kayseri.Google Scholar
Sözer Özdemir, Şebnem. 2016. “Canlı bir Deneyim Olarak Oyuncunun Sanatı ve Geleneksel Performans Sanatlarında İcra” [The Actor’s Art as a Living Experience and the Performance in Traditional Performing Arts]. PhD diss., Ankara University, Turkey.Google Scholar
TEDx Talks. 2018. “Rumi ile Dünyaya Bakış | Cemalnur Sargut | TEDxUskudarUniversity” [Looking at the World with Rumi | Cemalnur Sargut | TEDxUskudarUniversity]. YouTube, 14 March. www.youtube.com/watch?v=vspL5ZXtd4s.Google Scholar
Türkiye’nin En Kapsamlı Nota Arşivleri [Most Comprehensive Archives of Musical Notes in Turkey]. n.d. “Ben Melanet Hırkasını (Haydar Haydar)” [The Malamati Coat (Haydar Haydar)]. Accessed 5 June 2020. www.notaarsivleri.com/NotaMuzik/ben_melanet_hirkasini_(haydar_haydar).pdf.Google Scholar
Uludağ, Süleyman. 1991. “Ayn–Tasavvuf.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 4:256. Istanbul: Türk Diyanet Vakfı.Google Scholar
Uludağ, Süleyman. 1992. “Bâtın İlmi.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 5:188–89. Istanbul: Türk Diyanet Vakfı.Google Scholar
Uludağ, Süleyman. 1994. “Devir‐Tasavvuf.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 9:231–32. Istanbul: Türk Diyanet Vakfı.Google Scholar
Uludağ, Süleyman. 2015. İslâm ve Musiki [Islam and Music]. Istanbul: Dergâh Yayınları.Google Scholar
Yavuz, Yusuf Şevki. 1991. “Ayn–Kelâm.” In Türk Diyanet Vakfı İslâm Ansiklopedisi [Religious Foundation of Turkey Encyclopedia of Islam], vol. 4:256. Istanbul: Türk Diyanet Vakfı.Google Scholar
And, Metin. 1977. “The Mevlana Ceremony [Turkey].” TDR 21, 3 (T75):83–94. doi.org/10.2307/1145153.Google Scholar
Nadir, Chems, and Oerlemans, Marguerite. 1982. “Masks and Non‐Masks in Islam.” TDR 26, 4 (T96):79–81. doi.org/10.2307/1145521.Google Scholar
And, Metin. 1977. “The Mevlana Ceremony [Turkey].” TDR 21, 3 (T75):83–94. doi.org/10.2307/1145153.Google Scholar
Nadir, Chems, and Oerlemans, Marguerite. 1982. “Masks and Non‐Masks in Islam.” TDR 26, 4 (T96):79–81. doi.org/10.2307/1145521.Google Scholar