Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T09:15:51.305Z Has data issue: false hasContentIssue false
  • English
  • Français

Ending and Excess

Theatre as Being-in-Crisis

Published online by Cambridge University Press:  01 December 2021

Lindsay Goss
Get access Rights & Permissions [Opens in a new window]

Abstract

In its willingness to expend resources towards the construction of worlds that end, theatre models the possibility of a response to crisis that refuses to make action in the present contingent upon the promise of a future. Three recent works reflect a contemporary metatheatrical preoccupation with this combination of exertion and conclusion, and suggest the need to reimagine conservation and sustainability once we’ve embraced the structuring logic of “the end.”

Type
Stanford Consortium Issue: Part I
Information
TDR , Volume 65 , Issue 4 , December 2021 , pp. 51 - 66
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Berlant, Lauren. 2011. Cruel Optimism. Durham, NC: Duke University Press.Google Scholar
Butcher, S.H. (1895) 1902. Aristotle’s Theory of Poetry and Fine Art: With a Critical Text and a Translation of the Poetics. London: Macmillan.Google Scholar
Copper, Kelly, and Liska, Pavol. 2016. Pursuit of Happiness. Unpublished script; draft dated 13 October.Google Scholar
Defoort, Antoine, and Goerger, Halory. 2012. Technical memo for Germinal. Accessed 13 January 2017. www.amicaledeproduction.com/memotechniques/germinal.pdf.Google Scholar
Defoort, Antoine, and Goerger, Halory. 2014. Germinal. Production recording, 26 September. Seattle, Washington. OntheboardsTV. Accessed 14 September 2017. www.ontheboards.tv/performances/germinal.Google Scholar
Dembicki, Geoff. 2020. “A Debate Over Racism Has Split One of the World’s Most Famous Climate Groups.” Vice, 28 April. Accessed 1 February 2021. www.vice.com/en/article/jgey8k/a-debate-over-racism-has-split-one-of-the-worlds-most-famous-climate-groups.Google Scholar
Drury, Jackie Sibblies. 2019. Fairview. New York: Theatre Communications Group.Google Scholar
Edwards, Paul J. 2021. “Catering to White Audiences: Fairview at Woolly Mammoth.” TDR 65, 2 (T250):173–78.CrossRefGoogle Scholar
Fischer-Lichte, Erika. 1995. “Theatricality: A Key Concept in Theatre and Cultural Studies.” Theatre Research International 20, 2:85–89.CrossRefGoogle Scholar
FringeArts. 2019a. “Following the American Dream: Kelly Copper on Pursuit of Happiness.” Go Deeper, 19 August. Accessed 6 June 2021. https://fringearts.com/2019/08/19/following-the-american-dream-kelly-copper-on-pursuit-of-happiness/.Google Scholar
FringeArts. 2019b. “From Central Europe to the Wild West: Interview with Bence Mezei.” Go Deeper, 16 September. Accessed 6 June 2021. fringearts.com/2019/09/16/from-central-europe-to-the-wild-west-interview-with-bence-mezei/.Google Scholar
Goss, Lindsay. 2017. “ Germinal: Theatre for Beginners.” TDR 61, 3 (T235):165–72.CrossRefGoogle Scholar
Hedges, Chris. 2010. “Real Hope Is About Doing Something.” Truthdig, 29 November. Accessed 1 February 2021. www.truthdig.com/articles/real-hope-is-about-doing-something/.Google Scholar
Hedges, Chris. 2019. “The Last Act of the Human Comedy.” Truthdig, 2 September. 6 June 2021. www.truthdig.com/articles/the-last-act-of-the-human-comedy/.Google Scholar
McClinton, Dream. 2019. “How Do You Write a Play about the Climate Crisis?” The Guardian, 24 May. Accessed 6 June 2021. www.theguardian.com/stage/2019/may/24/how-do-you-write-a-play-about-the-climate-crisis.Google Scholar
Pickard, Jeremy, and Fu, Lanxing. 2020. “A Climate of Change.” American Theatre, 18 February. Accessed 6 June 2021. www.americantheatre.org/2020/02/18/a-climate-of-change.Google Scholar
Stoekl, Allan. 2007. Bataille’s Peak: Energy, Religion, and Postsustainability. Minneapolis: University of Minnesota Press.Google Scholar
Waters, Steve. 2009. “Can Theatre Do Anything about Climate Change?” The Guardian, 9 December. Accessed 6 June 2021. www.theguardian.com/stage/theatreblog/2009/dec/09/theatre-climate-change.Google Scholar
Wilder, Thornton. (1941) 1974. “Some Thoughts on Playwriting.” In Dramatic Theory and Criticism: Greeks to Grotowski, ed. Dukore, Bernard F., 886–93. New York: Holt, Rinehart, Winston.Google Scholar
Anderson-Rabern, Rachel. 2010. “The Nature Theater of Oklahoma’s Aesthetics of Fun.” TDR 54, 4 (T208):81–98. http://www.jstor.org/stable/40927970.CrossRefGoogle Scholar
Anderson-Rabern, Rachel. 2010. “The Nature Theater of Oklahoma’s Aesthetics of Fun.” TDR 54, 4 (T208):81–98. http://www.jstor.org/stable/40927970.CrossRefGoogle Scholar