Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-26T08:07:41.387Z Has data issue: false hasContentIssue false
  • English
  • Français

The Invention of (YouTube) Ritual and Pierre Huyghe’s Holiday

Published online by Cambridge University Press:  01 December 2021

Naomi Vogt
Get access Rights & Permissions [Opens in a new window]

Abstract

Pierre Huyghe’s Streamside Day shifts the boundaries between representing and producing rituals. In 2003, the artist scripted a holiday for a freshly built, suburban-style neighborhood in New York State, which he simultaneously turned into a documentary film and quasi-liturgical participatory installation. Beyond the art world, innumerable new rituals are formalizing and circulating through videos online.

Type
Article
Information
TDR , Volume 65 , Issue 4 , December 2021 , pp. 147 - 165
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anderson, Craig A., Berkowitz, Leonard, Donnerstein, Edward, et al. 2003. “The Influence of Media Violence on Youth.” Psychological Science in the Public Interest 4, 3:81–110.CrossRefGoogle ScholarPubMed
Anderson, Herbert, and Foley, Edward. 1998. Mighty Stories, Dangerous Rituals: Weaving Together the Human and the Divine. San Francisco: Jossey-Bass.Google Scholar
Austin, J.L. 1962. How To Do Things With Words. Oxford: Oxford University Press.Google Scholar
Baker, George. 2004. “An Interview with Pierre Huyghe.” October 110:80–106.CrossRefGoogle Scholar
Balsom, Erika. 2017. After Uniqueness: A History of Film and Video Art in Circulation. New York: Columbia University Press.CrossRefGoogle Scholar
Barikin, Amelia. 2012. Parallel Presents: The Art of Pierre Huyghe. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Bell, Catherine. 1992. Ritual Theory, Ritual Practice. Oxford: Oxford University Press.Google Scholar
Bellour, Raymond. 2012. La Querelle des dispositifs: Cinéma –installations, expositions. Paris: P.O.L.Google Scholar
Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.Google Scholar
Boross, Balázs, and Reijnders, Stijn. 2015. “Coming Out with the Media: The Ritualization of Self-Disclosure in the Dutch Television Programme Uit de Kast .” European Journal of Cultural Studies 18, 3:245–64.CrossRefGoogle Scholar
Bourriaud, Nicolas. 1998. Esthétique relationnelle. Dijon: Les Presses du réel.Google Scholar
Burroughs, Williams, and Odier, Daniel. (1969) 1989. The Job: Interviews with William S. Burroughs. New York: Penguin.Google Scholar
Couldry, Nick. 2003. Media Rituals: A Critical Approach. London: Routledge.Google Scholar
Debord, Guy. (1967) 1992. La société du spectacle. Paris: Gallimard.Google Scholar
Duncan, Carol. 1995. Civilizing Rituals: Inside Public Art Museums. London: Routledge.Google Scholar
Foster, Hal. 2015. Bad New Days: Art, Criticism, Emergency. London: Verso.Google Scholar
Gardette, Hervé. 2016. “Avec le porno le sexe est-il à bonne école? ” Radio broadcast. Du Grain à Moudre, France Culture, 18 March. www.franceculture.fr/emissions/du-grain-moudre/avec-le-porno-le-sexe-est-il-bonne-ecole.Google Scholar
Geertz, Clifford. (1966) 1973. “Religion as a Cultural System.” In The Interpretation of Cultures, 87–125. New York: Basic Books.Google Scholar
Gieseler, Carly. 2017. “Gender-Reveal Parties: Performing Community Identity in Pink and Blue.” Journal of Gender Studies 27, 6:661–71.CrossRefGoogle Scholar
Hobsbawm, Eric, and Ranger, Terence. (1983) 2012. The Invention of Tradition. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Honoré, Vincent. 2011. “Paris – Pierre Huyghe.” Mousse 27:122–28.Google Scholar
Huyghe, Pierre. 2003. Streamside Day. Film.Google Scholar
Huyghe, Pierre. 2007. “Interview: ‘Streamside Day’.” Art21. Accessed March 2019. art21.org/read/pierre-huyghe-streamside-day/.Google Scholar
Huyghe, Pierre, and Lavigne, Emma. 2013. Pierre Huyghe. Paris: Centre Pompidou.Google Scholar
Joselit, David. 2004. “Inside the Light Cube.” Artforum 42, 7:154–59.Google Scholar
Lamb, Isaac. 2012. “Isaac’s Live Lip-Dub Proposal.” YouTube, 25 May. Accessed March 2019. www.youtube.com/watch?v=5_v7QrIW0zY.Google Scholar
Lütticken, Sven. 2004. “Planet of the Remake.” New Left Review 25:103–19.Google Scholar
Gallery, Marian Goodman. 2004. “Pierre Huyghe, Streamside Day.” Accessed July 2021. www.mariangoodman.com/exhibitions/238-pierre-huyghe-streamside-day/.Google Scholar
McCarthy, Tom. (2005) 2006. Remainder. Richmond: Alma Books.Google Scholar
Meade, Terry. 2013. “Interior Design, a Political Discipline.” In The Handbook of Interior Architecture and Design, ed. Brooker, Graeme and Weinthal, Lois, 394–403. London: Bloomsbury.Google Scholar
Miller, Montana. 2010. “Taking a New Spotlight to the Prom: Youth Culture and Its Emerging Video Archive.” The Journal of American Culture 33, 1:12–23.CrossRefGoogle Scholar
Nagel, Alexander. 2012. Medieval Modern: Art Out of Time. London: Thames and Hudson.Google Scholar
Radcliffe-Brown, Alfred R. 1935. On the Concept of Function in Social Science. Indianapolis: Bobbs-Merrill Company.CrossRefGoogle Scholar
Rappaport, Roy A. 1999. Ritual and Religion in the Making of Humanity. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Real Estate Guide. 2001. “Country Life: Streamside Knolls.” Daily News, 13 April:79. Accessed June 2017. www.newspapers.com/newspage/408948871/.Google Scholar
Schechner, Richard. (1977) 1988. “Selective Inattention.” In Performance Theory, 179–98. London: Routledge.Google Scholar
Schefer, Jean Louis. (1980) 1997. L’homme ordinaire du cinéma. Paris: Cahiers du cinéma-Gallimard.Google Scholar
Seligman, Adam B. 2013. “Enacting the Moral; Concrete Particularity and Subjunctive Space.” In What Makes Us Moral?: On the Capacities and Conditions for being Moral, ed. Musschenga, Bert and van Harskamp, Anton, 327–38. Dordrecht: Springer.CrossRefGoogle Scholar
Sennett, Richard. 2012. Together: The Rituals, Pleasures and Politics of Co-operation. New Haven, CT: Yale University Press.Google Scholar
Turner, Victor. (1969) 1991. The Ritual Process: Structure and Anti-Structure. Ithaca, NY: Cornell University Press.Google Scholar
van der Linden, Sander. 2017. “The Nature of Viral Altruism and How to Make it Stick.” Nature Human Behaviour 1:0041.CrossRefGoogle Scholar
von Hantelmann, Dorothea, and Meister, Carolin. 2010. Die Austellung: Politik eines Rituals. Zurich: Diaphanes.Google Scholar