Hostname: page-component-6bf8c574d5-5ws7s Total loading time: 0 Render date: 2025-03-03T19:45:42.379Z Has data issue: false hasContentIssue false
  • English
  • Français

On Performance and Disability

Differentiated Bodies and the Aesthetics of Invasion

Published online by Cambridge University Press:  03 March 2025

Andrea Pagnes (VestAndPage) Open the ORCID record for Andrea Pagnes (VestAndPage) [Opens in a new window]  and
Felipe Monteiro Open the ORCID record for Felipe Monteiro [Opens in a new window]
Get access Rights & Permissions [Opens in a new window]

Abstract

Physical and cognitive disabilities are part of many people’s lives. They are the existential marks some performers carry and emphasize through their art in order to transcend them and embrace disability in a nonstigmatizing way. The performances of Felipe Monteiro, Nicola Fornoni, and Kamil Guenatri claim space for difference and diversity and reject assistentialist, protectionist, and pseudo-inclusive approaches that prescribe and perpetuate stigmas.

Type
Article
Information
TDR , Volume 69 , Issue 1 , March 2025 , pp. 86 - 111
Copyright
© The Author(s), 2025. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Andrade, Oswald de. (1928) 1991. “Cannibalist Manifesto.” Trans. Leslie Bary. Latin American Literary Review 19:38, 38–47. www.jstor.org/stable/20119601 Google Scholar
Artaud, Antonin. (1938) 1958. The Theater and Its Double. Grove Press.Google Scholar
Bierdz, Brad. 2023. “Disability as Performance/Curriculum: The Subversives Mechanization of Teaching/Performing Disability.” Power and Education 15, 2:214–26. doi.org/10.1177/17577438221114435 CrossRefGoogle Scholar
Bufano, Lisa. 2006. “Artist Statement: Persistence of Vision.” https://web.archive.org/web/20060717000628/http://www.lbufano.com/info.php?page=statement Google Scholar
Bugiel, Marcel. 2013. “Disabled theater (2012): Presentation.” RB Jérôme Bel. Accessed 1 June 2023. www.jeromebel.fr/index.php?p=2&lg=2&s=15&ctid=1 Google Scholar
Bugiel, Marcel, and Bel, Jérôme. 2013. “06.2013 Disabled theater - Marcel Bugiel and Jérôme Bel.” RB Jérôme Bel: Texts and Interviews. Accessed 1 June 2023. www.jeromebel.fr/index.php?p=5&cid=220 Google Scholar
Candoco Dance Company. 2024. “A tribute to Mickaella de Fátima Medeiros Dantas.” Candoco Dance Company. Accessed 1 June 2023. candoco.co.uk/a-tribute-to-mickaella-dantas/Google Scholar
US Centers for Disease Control and Prevention (CDC). 2024. “Common Barriers to Participation Experienced by People with Disabilities.” CDC: Disability and Health Promotion, 2 May. www.cdc.gov/ncbddd/disabilityandhealth/disability-barriers.html#ref Google Scholar
Dann, Becky. 2020. “My parents gave me the freedom to choose what happens to my body.” Candoco Dance Company. Accessed 1 June 2023. candoco.co.uk/mickaella-dantas-iddp/Google Scholar
Davis, Cait. 2012. “Artist Profiling – Lisa Bufano.” Vimeo, 17 June. vimeo.com/44203006 Google Scholar
Fernandes, Ciane. 2017. “Do pensamento sentado ao movimento cristal: a criação coreográfica como repadronização de deficiências normativas.” Revista Científica/FAP 17, 2:132–53. doi.org/10.33871/19805071.2017.17.2.2089 Google Scholar
Fornoni, Nicola. 2023. Email with Andrea Pagnes, 22 June.Google Scholar
FRRRK, Guys. 2024. “Mourning: saying goodbye and paying tribute to the ballerina Mickaella Dantas.” FRRRKguys, 10 February. www.frrrkguys.com.br/luto-despedir-e-homenagear-a-bailarina-mickaella-dantas/ Google Scholar
Garland-Thomson, Rosemarie. 1996. Freakery: Cultural Spectacles of the Extraordinary Body. New York University Press.Google Scholar
Goffman, Erving. 1963. Stigma: Notes on the Management of Spoiled Identity. Simon and Schuster.Google Scholar
Guenatri, Kamil. 2023. Portfolio 2014–2022. issuu.com/kamilguenatri/docs/portfoliofr Google Scholar
Hahn, Harlan. 1988. “Can disability be beautiful?” Social Policy 18:26–32.Google Scholar
Heussaff, Sarah, and Guenatri, Kamil. 2016. “Kamil Guenatri (La Terrasse).” Marges 22:156–63. doi.org/10.4000/marges.1127 CrossRefGoogle Scholar
International Paralympic Committee (IPC). n.d. “Paralympics History.” Accessed 1 June 2023. www.paralympic.org/ipc/history Google Scholar
Islam, Gazi. 2015. “A Taste for Otherness: Anthropophagy and the Embodied Self in Organizations.” Scandinavian Journal of Management 31, 3:351–61. doi.org/10.1016/j.scaman.2015.04.001 CrossRefGoogle Scholar
Kochhar-Lindgren, Kanta. 2002. “Between Two Worlds: The Emerging Aesthetic of the National Theater of the Deaf.” In Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theater, ed. Thomas Fahy and Kimball King, 3–16. Routledge.Google Scholar
Kuppers, Petra. 2000. “Accessible Education: Aesthetics, Bodies and Disability.” Research in Dance Education 1, 2:119–31. doi.org/10.1080/713694266 CrossRefGoogle Scholar
Kuppers, Petra. 2003. Disability and Contemporary Performance: Bodies on the Edge. Routledge.Google Scholar
Kuppers, Petra. 2022. Eco Soma: Pain and Joy in Speculative Performance Encounters. University of Minnesota Press.CrossRefGoogle Scholar
Le Breton, David. 2017. Sensing the World: An Anthropology of the Senses. Routledge.Google Scholar
Monteiro, Felipe. 2013. Corpos diferenciados: a criação da performance “Kahlo em mim eu e(m) Kahlo.” EDUFAL.Google Scholar
Monteiro, Felipe. 2019. Subjetividade(s) e(m) Performance: corpo, diferença e artivismo. CRV.Google Scholar
Monteiro, Felipe , and Salles, Nara, eds. 2018. Corpos Diferenciados em Performance. Fonte Editorial.Google Scholar
Ohmann, Susanne. 2014. “(DES)VITRUVIANDO – uma (re)performance de Felipe Monteiro.” Trans. Mirella Misi. Repertório 21, 2:175–77.Google Scholar
Pagnes, Andrea. 2022. “Islands Included: Inclusive Production Methodologies in the Performing Arts for Diversely-Abled Performing Arts Practitioners.” Research project. Fonds Daku. www.fonds-daku.de/en/foerderprogramme-import/recherchefoerderung-feb-2022/ Google Scholar
Pagnes, Andrea. 2023. “A Very Simple Piece: Goldilocks 23332. A One-To-One Mentoring Experiment about the Margins and Limits of Individualized Methodology for a Unique Need Artist Presenting an Invisible Disability.” TXAI 1, 2:147–68. https://periodicos.ufac.br/index.php/txai/article/view/6706 Google Scholar
Santos, Tatiana V., Moreira, Martha C.N., and Gomes, Romeo. 2020. “Performance and Disability: Ways to Health Reinvention.” Ciencia & saude coletiva 25, 8:3143–52. doi.org/10.1590/1413-81232020258.28292018 CrossRefGoogle ScholarPubMed
SMFA (School of the Museum of Fine Arts, Boston). 2013. “Lisa Bufano.” Accessed 5 June 2023. https://web.archive.org/web/20131005100513/http://www.smfa.edu/lisa-bufano Google Scholar
Sparmann, Marcel. 2018. “Kamcel – perform the other, Fiac, France, 2015.” Marcelsparmann.com, 24 May. http://marcelsparmann.com/707-2/ Google Scholar
Sparmann, Marcel. 2023. Email with Andrea Pagnes, 25 June.Google Scholar
Thoreau, Henry David. (1851) 1862. “Walking.” The Atlantic, May. www.theatlantic.com/magazine/archive/1862/06/walking/304674/ Google Scholar
Ustün, Tevfik B., Nenad Kostanjsek, Somnath Chatterji, Jürgen Rehm, eds. 2010. “Measuring Health and Disability: Manual for WHO Disability Assessment Schedule (WHODAS 2.0).” World Health Organization. www.who.int/standards/classifications/international-classification-of-functioning-disability-and-health/who-disability-assessment-schedule Google Scholar
Staszak, Jean-François. 2009. “Other/Otherness.” International Encyclopedia of Human Geography, 43–47. doi.org/10.1016/B978-008044910-4.00980-9 CrossRefGoogle Scholar
Vecchiarelli, Chiara. 2013. “Disabled theatre (2012): Presentation.” RB Jérôme Bel. Accessed 1 June 2023. www.jeromebel.fr/index.php?p=2&lg=2&s=15&ctid=1 Google Scholar
VestAndPage at al. 2022. “Nicola Fornoni’s Text.” In: UnderScars: Libretto and Performance Score. veniceperformanceart.org/files/UNDER%20SCARS%202022/UNDER%20SCARS-The%20Poetic%20Score%20%C2%A9%20VestAndPage%20et%20al.pdf Google Scholar
World Health Organization (WHO). 2023. “Disability.” 7 March. www.who.int/news-room/fact-sheets/detail/disability-and-health Google Scholar

TDReadings

Kuppers, Petra. 2014. “Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments.” TDR 58, 2 (T222):33–50. doi.org/10.1162/DRAM_a_00345CrossRefGoogle Scholar
Kuppers, Petra. 2007. “The Wheelchair’s Rhetoric: The Performance of Disability.” TDR 51, 4 (T196):80–88. doi.org/10.1162/dram.2007.51.4.80CrossRefGoogle Scholar