Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-26T19:23:42.368Z Has data issue: false hasContentIssue false
  • English
  • Français

Philosophers and Thespians: Thinking Performance: Cultural Memory in the Present. By Freddi Rokem. Stanford: Stanford University Press, 2010. Pp. xii + 227. £18.53/$20.76 Pb; £50.83/$59.64 Hb Reviewed by Arno Böhler, University of Vienna, arno.boehler@univie.ac.at – CORRIGENDUM

Published online by Cambridge University Press:  26 March 2013

Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Corrigendum
Information
Theatre Research International , Volume 38 , Special Issue 2: Theatre and the Arab Spring , July 2013 , pp. 178
Copyright
Copyright © International Federation for Theatre Research 2013 

The March 2013 reviewFootnote 1 of Freddie Rokem's monograph, Philosophers and Thespians: Thinking Performance, misspelled the author's first name and misstated the book's title. The correct book title should be Philosophers and Thespians: Thinking Performance. Additionally, contrary to what is implied in the review, Philosophers and Thespians does not claim anywhere that Brecht was Jewish; nor does the book make any references suggesting as much. Theatre Research International sincerely apologises for these errors.

References

REFERENCE

1 Böhler, A.Philosophers and Thespians: Thinking Performance: Cultural Memory in the Present [Book Review]. Theatre Research International 38, 1 (2013), pp. 72–3, doi: 10.1017/S0307883312001071.CrossRefGoogle Scholar