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The Consecration of 1254: Heraldry and History in the Windows of Le Mans Cathedral
Published online by Cambridge University Press: 29 July 2016
Extract
The Gothic choir of Le Mans Cathedral was consecrated by Bishop Geoffroy de Loudun on April 24, 1254, while Saint Louis was still in the Holy Land and before the windows had been completely glazed. So much is established by the story related in the chronicle about the winegrowers who, arriving late and thus unable to carry a torch in the procession, decided to donate a window which would provide more permanent illumination instead. Their gift, now Bay c on the north side of the upper ambulatory, is datable ca. 1255 on the basis of this story (see fig. 1). Another window nearby (Bay a) was the gift of Guillaume Roland, then precentor of the cathedral, who is named in an inscription and depicted as a priest; since he became bishop before September 1255 another firm date is established for the glazing. The axial window (Bay g) depicts a knight who was present at the 1254 consecration: Rotrou de Montfort, shown with banner and heraldic surcoat de gueules à 2 léopards d'or passants (fig. 2). His arms are known to us from the Bigot Roll, which records the Angevin forces marshaled by the Capetian prince Charles d'Anjou for his campaigns in Flanders in the same year. Directly above Rotrou's window, the prestigious axial clerestory was the gift of Bishop Geoffroy de Loudun himself, builder of the new choir and dead by August 1255. His arms appear eight times in the borders: gueules à la bande d'or. And Bay C in the north clerestory depicts two knights and a canon of the family de Cormes with their arms. The canon is no doubt Geoffroy de Cormes, dead in 1263. The warriors who flank him are his father Guillaume ‘Major’ de Cormes and his uncle Jean, and they too are known to us from the Bigot Roll which gives their arms: ‘l'escru blanc a III jumelles noires.’
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References
1 My research on Le Mans was funded by a National Endowment for the Humanities Fellowship (1976); this study is part of a project funded by an American Council of Learned Societies Fellowship (1980–81).Google Scholar
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3 Bays are here identified by the letters used on the photomontages of the stained glass in the Archives photographiques‘, Paris.Google Scholar
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