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Reading the World Rightly and Squarely: Bonaventure's Doctrine of the Cardinal Virtues
Published online by Cambridge University Press: 29 July 2016
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In an article concerning the seven deadly sins, Siegfried Wenzel distinguishes one model for the traditional topic of vices and virtues which he calls ‘ cosmological’ or ‘ symbolic.’ This model develops the idea that ‘ man is a septenary,’ a composite of three powers of the soul and four elements of the body. The association of the three theological virtues with the three powers of the soul and the four cardinal virtues with the four elements of the body was current in the twelfth century. In the first half of the thirteenth century, Robert Grosseteste developed the analogy in the context of a metaphysics of light, somewhat unexpectedly in a treatise on confession. The ‘connection between virtues and vices on one hand and physiology on the other,’ Wenzel remarks, ‘is an area that needs much further study.’ Perhaps the fullest development of the cosmological or symbolic model of the virtues was made in the last half of the thirteenth century by Bonaventure. Indeed, for him the cardinal virtues (the concern of this study) are the four poles of the created universe.
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page 183 note 1 I wish to acknowledge Professor Wenzel's advice during the early stages of this study. Funds for my first research were provided through a fellowship from the National Endowment for the Humanities.Google Scholar
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page 195 note 43 Might this allude to Romans 8.22–23 ? ‘Scimus enim quod omnis creatura ingemiscit et parturit usque adhuc; non solum autem illa, sed et nos ipsi primitias Spiritus habentes, et ipsi intra nos geminus adoptionem filiorum Dei expectantes, redemptionem corporis nostri.’Google Scholar
page 195 note 44 In II Sent. d. 12 a. 1 q. 2 concl. (Opera II 297).Google Scholar
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page 196 note 46 In II Sent. d. 12 a. 1 q. 2 concl. (297).Google Scholar
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page 197 note 49 See, for example, Itinerarium I 14 (Opera V 299); Breviloquium II 1 and 2 (Opera V 219, 220). The idea pervades the Collationes.Google Scholar
page 197 note 50 Itinerarium V–VI (Opera V 308–12). God's nature is best expressed in his desire to communicate (communicare). He is the summa communicabilitas, the summa communicatio et vera diffusio (Itinerarium VI 3 [Opera V 311]). The latter phrase indicates the analogy between light and the divine goodness.Google Scholar
page 197 note 51 In II Sent. d. 12 a. 1 q. 2 sol. opp. 4, 5, 6 (Opera II 298). Throughout this question, Bonaventure draws terms from rhetorical tradition. Rudis usually signifies uncultivated or formless speech. See Cicero, , Brutus 85.294 (ed. Wilkins); De oratore 1.2.5 (ed. Wilkins); Quintilian, Institutio oratoria 3.1.5; 9.4.17–18 (ed. M. Winterbottom [Oxford 1970] 130, 538). The term ineptus is closely related to rudis. It refers to one whose speech is tactless and inappropriate. See Cicero, De oratore 2.4.17–18 and Orator 67.226 (ed. Wilkins). Bonaventure's use of the term suggests that the manner of God's creation is inappropriate considered in relation to his power, but not inappropriate considered in relation to the audience. Throughout the rhetorical tradition, eruditio signifies the comprehensive knowledge of words and things necessary for one who would unite wisdom and eloquence, and one who possesses such encyclopaedic knowledge is eruditus. See Cicero, , De oratore 1.22.102–103; Brutus 67.236; De officiis 1.33 (Loeb 120–21); Quintilian, Inst. orat. 1.4.6; 6.3.17 (ed. cit. 23, 339) (opposite to rusticitas). God's creative work conducts ignorant listeners (rudes) to knowledge (eruditio). For the rough eloquence of Scripture, which however instructs (erudire) to beatitude, see Augustine, De doctrina IV 27–28 (CSEL 80.124). The term eruditio, in its fullest significance, occurs in the title of Hugh of St. Victor's work, Eruditio Didascalia. On the influence of Hugh's Didascalicon upon Bonaventure's concept of wisdom, see Bougerol, Introduction 38, and Roger Baron, ‘L’ Influence d'Hugues de Saint-Victor,’ RThAM 22 (1955) 56–71. Encyclopaedic erudition in the Middle Ages centered on the work of six days; see R. Collison, Encyclopaedias: Their History Throughout the Ages (New York 1964) 44–81. The word thesaurus is commonly used by rhetoricians to signify the abundance of words, things, and topics stored in the eloquent orator's memory. See Cicero, , De oratore 1.5.18, and Quintilian, Inst. orat. 11.2.1–2 (ed. cit. 642). Bonaventure here quotes the term in a scriptural text, but Christian rhetoricians habitually accommodated this text to an analogy with abundance in rhetorical invention. See the introduction to my translation of Benet of Canfield, The Rule of Perfection (forthcoming). Bonaventure's term, collocare (fund. 3), also has strong rhetorical overtones. God's exact arrangement of created signs over a sequence of six days is similar to the rhetorician's collocatio verborum, wherein if a precise order of words is changed, a certain symmetry is lost, even though the sententia remains the same. See Cicero, , Orator 24.80–81. Bonaventure several times states that God could have created the world in any manner (the fact remains), but that he ordered his effects carefully over six days in view of sixfold concordances. Cicero says that the collocatio verborum is one of the primary species of ornatus. Finally, in De reductione artium 16 (Opera V 323), Bonaventure explains God's ultimate ‘condescension’ to man by analogy to speech. As a speaker clothes the concept of his mind (verbum mentis) in material sound (vox) in order to communicate it to another, so the eternal Word became flesh, so that he might be known by men endowed with senses. In becoming flesh the Word does not depart from the bosom of the Father, any more than a concept when uttered in speech leaves the mind. See Augustine, , De doctrina I 26 (CSEL 80. 14–15).Google Scholar
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page 199 note 54 In III Sent. d. 27 a. 1 q. 3 sol. opp. 1 (Opera III 598).Google Scholar
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