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The Perils of Reading Fiction: the Female Quixote and the Thai New Woman

Published online by Cambridge University Press:  26 April 2021

Thosaeng Chaochuti*
Affiliation:
Chulalongkorn University, Thailand
*
*Corresponding author. Email: thosaeng.c@chula.ac.th

Abstract

British literary history routinely associated women with reading fiction, especially the novel. This association seemingly threatened male hegemony and cultural authority. It led, therefore, to the portrayal of the woman reader as a female quixote who was prone to misreading and being misled by what she read. This representation became popular during the rise of the novel in the eighteenth and early nineteenth centuries and the New Woman's emergence at the fin-de-siècle. Similar developments took place in Siam/Thailand where the birth of fiction, the advent of the woman reader, and the New Woman's rise roughly coincided in the late 1910s and early 1920s. By examining San Thewarak's novel Bandai haeng khwam rak [Stairways to Love] (1932), this paper demonstrates the trope of the female quixote's invocation to describe the emerging Thai (New) Woman reader and the threat that she embodied that had to be managed and controlled.

Type
Original Article
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of Institute of East Asian Studies, Sogang University

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