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Published online by Cambridge University Press: 14 March 2016
1 See Connor, 33–9 and LaBelle, 75–82 on breath.
2 See LaBelle, 64–5 on glossolalia and 92–4 on sleep talk.
3 See Connor, 128–9 and LaBelle, 43 on cursing.
4 See LaBelle, 31–3 and Connor, 7–10 and 32–4, on the cough. See also Connor, 85–6 on mucus, and LaBelle, 44 on Yoko Ono's ‘Cough Piece’.
5 See Connor, 195–6 and LaBelle, 145 on the dynamics and value of vocal dialogue.
6 See LaBelle, 91–2 on auditory hallucinations and Connor, 17 on the ‘phantasm of the “living voice”’.
7 See Connor, 83 on the murmur, and 82 on inanimate objects ‘talking’; see LaBelle, 48 on voices ‘animat[ing] the inanimate’.
8 See LaBelle, 161–4 and Connor, 125–6 on accent.
9 Connor, 17.
10 LaBelle, 1.
11 Connor, 17.
12 LaBelle, 3.
13 Connor, 17.
14 LaBelle, 101.
15 See Connor, 70, 128, and 136, and LaBelle, 42, on belching.
16 See LaBelle, 84 on facial expressions.
17 See LaBelle ,76–7 and 140–5, and Connor, 72–3 and 200, on silenced voices.
18 See Connor, 40 and Labelle, 76 on holding the breath.
19 LaBelle, 3.
20 Connor, 196.
21 LaBelle, 1.
22 Connor, 196.
23 See Labelle, 84–5 and Connor, 54–7 on the sigh.
24 See Connor, 162–93 on the letter ‘z’.
25 See Connor, 122 and 162, on the snore.
26 See LaBelle, 40–1 on drool.
27 See Connor, 123–4 on the relationship between the gaping mouth and chaos, and LaBelle, 76–7 on the gaping mouth and existential horror in Invasion of the Body Snatchers.
28 The recent establishment of new voice-centred journals (e.g., The Journal of Interdisciplinary Voice Studies), the release of new edited volumes (e.g., Voice Studies: Critical Approaches to Process, Performance and Experience, ed. Konstantinos Thomaidis and Ben Macpherson (London and New York: Routledge, 2015)), and the upcoming publication of the Oxford Handbook of Voice Studies (ed. Nina Sun Eidsheim and Katherine Meizel, in press) confirm the increasing salience of ‘voice studies’ as an interdisciplinary rubric.
29 For a helpful overview of neuroscientific work on voice production, perception, and processing, see Sidtis, Diana and Kreiman, Jody, ‘The Brain Behind the Voice: Cerebral Models of Voice Production and Perception’, in Foundations of Voice Studies: An Interdisciplinary Approach to Voice Production and Perception (Malden, MA: Wiley-Blackwell, 2011), 189–236Google Scholar.
30 Rupal Patel's ‘VocalID’ project is at the forefront of these efforts. See Mills, Timothy, Bunnell, H. Timothy, and Patel, Rupal, ‘Towards Personalized Speech Synthesis for Augmentative and Alternative Communication’, Augmentative and Alternative Communication 30/3 (2014), 226–36CrossRefGoogle ScholarPubMed; or simply watch her TED Talk on the subject: www.ted.com/talks/rupal_patel_synthetic_voices_as_unique_as_fingerprints?language=en.
31 A good introduction to dynamic MRI work on the vocal apparatus can be found on a site created by Professor John Coleman in the Oxford University Phonetics Laboratory: www.phon.ox.ac.uk/jcoleman/Dynamic_MRI.html.
32 See, for example, Wrona, E. A.et al., ‘Derivation and Characterization of Porcine Vocal Fold Extracellular Matrix Scaffold’, The Laryngoscope 00 (2015), 1–8Google Scholar.
33 Chion, Michel, The Voice in Cinema, ed. trans. Gorbman, Claudia (New York: Columbia University Press, 1999), 1Google Scholar.
34 Dolar, Mladen, A Voice and Nothing More (Cambridge, MA: MIT Press, 2006), 20Google Scholar.
35 Feld, Steven, Fox, Aaron A., Porcello, Thomas and Samuels, David, ‘Vocal Anthropology: From the Music of Language to the Language of Song’, in A Companion to Linguistic Anthropology, ed. Duranti, Alessandro (Malden, MA: Blackwell, 2004), 321–45Google Scholar.
36 Weidman, Amanda, ‘Gender and the Politics of Voice: Colonial Modernity and Classical Music in South India’, Cultural Anthropology 18/2 (2003), 196CrossRefGoogle Scholar.
37 Weidman, Amanda, Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India (Durham: Duke University Press, 2006)CrossRefGoogle Scholar.
38 NB: Connor does not cite LaBelle in Lexicon.
39 Cf. Daughtry, J. Martin, ‘Afterword: From Voice to Violence and Back Again’, in Music, Politics, and Violence, ed. Pegley, Kip and Fast, Susan (Middletown, CT: Wesleyan University Press, 2012), 243–64Google Scholar.
40 LaBelle, 17.
41 See the full citation on the back flap of the book.
42 New York: Bloomsbury, 2006.
43 LaBelle, chapter 12. (From here to the end all punctuation is mine.)
44 Connor, chapter 3.
45 LaBelle, chapter 8.
46 Connor, chapter 6.
47 LaBelle, chapter 5.
48 Connor, chapter 5.
49 LaBelle, chapter 7.
50 Connor, chapter 7.
51 LaBelle, chapter 10.
52 Connor, chapter 9.