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Ausentes presentes: Art Music from the Chilean Exile in the Anacrusa Festivals at the Goethe-Institute Santiago (1985–89)

Published online by Cambridge University Press:  08 October 2020

DANIELA FUGELLIE
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Abstract

Created in 1984, the Anacrusa Music Association organized concerts, workshops, and festivals of contemporary music in Chile during the last years of Pinochet's military dictatorship. Crucial for these events was the collaboration with the Goethe-Institute Santiago, which enabled a space for free expression within the repressive context of the dictatorship. This article explores the circulation and reception of musical works by Chilean composers living in exile performed in the 1985, 1987, and 1989 Anacrusa festivals. The trajectories of the pieces by three main figures of the politically engaged avant-garde of the 1960s – Gustavo Becerra-Schmidt, Sergio Ortega, and Fernando García – can be seen as a transfer process that involved the goals of West German cultural diplomacy in Chile, as well as the interaction between Anacrusa organizers, Latin American colleagues, and performers who returned from exile.

Type
Articles
Information
Twentieth-Century Music , Volume 17 , Special Issue 3: Musical Trajectories between Latin America and Europe, 1970–2000 , October 2020 , pp. 361 - 380
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

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Footnotes

This article was written in the frame of the research project ‘Alternative spaces of contemporary music in Chile, 1945–95’ (FONDECYT 11170844). I am thankful to ANID for the support.

References

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