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Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (Rochester, NY: University of Rochester Press, 2010), 978-1-58046-325-6

Published online by Cambridge University Press:  23 February 2012

ANDREW MEAD
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Type
Reviews
Information
Twentieth-Century Music , Volume 8 , Issue 1 , March 2011 , pp. 119 - 124
Copyright
Copyright © Cambridge University Press 2012

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References

1 Schoenberg, Arnold, ‘Composition with Twelve Tones I’ (1941), in Style and Idea: Selected Writings, ed. Stein, Leonard (London: Faber and Faber, 1975), 214–45 (p. 218)Google Scholar.

2 See Alegant, Brian, ‘Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music’, Music Theory Spectrum 23/1 (2001), 1–40CrossRefGoogle Scholar.

3 See Morris, Robert, Composition with Pitch-Classes: a Theory of Compositional Design (New Haven and London: Yale University Press, 1987)CrossRefGoogle Scholar, and Mead, Andrew, ‘“Learn to Draw Bob Hope!”: Mort Drucker, Arnold Schoenberg, and Twelve-Tone Music’, in Engaging Music: Essays in Music Analysis, ed. Stein, Deborah (Oxford: Oxford University Press, 2004), 36–49Google Scholar.