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Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).

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Brian Kane, Hearing Double: Jazz, Ontology, Auditory Culture (New York: Oxford University Press, 2024), ISBN 978-0-190-60050-1 (hb).

Published online by Cambridge University Press:  21 January 2025

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Twentieth-Century Music , First View , pp. 1 - 5
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Copyright © The Author(s), 2025. Published by Cambridge University Press

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References

1 Szendy, Peter, Listen: A History of Our Ears (New York: Fordham University Press, 2008)Google Scholar.

2 See Mendelssohn, Edmund, White Musical Mythologies: Sonic Presence in Modernism (Stanford, CA: Stanford University Press, 2023)CrossRefGoogle Scholar; the crucial philosophical forebear and intellectual influence for my own inquiry into the limits of ‘ontology’ as a white mythology is Fann's, Fuoco B. This Self We Deserve: A Quest after Modernity (Berkeley, CA: Philosophy & Art Collaboratory, 2020)Google Scholar.

3 See Fann, This Self We Deserve, esp. 11–13, 33–34, and 48–60, and Robert Young's passages on Lévinas and Derrida in White Mythologies: Writing History and the West (London and New York: Routledge, 1990), 12–20; for logos as ‘gathering’ see Ning Zhang's interviews with Derrida, , ‘The Western Question of “Forgiveness” and the Intercultural Relation’, Comparative and Continental Philosophy 12/1 (2020), 5–16Google Scholar.