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Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). - Michael Maizels, In and Out of Phase: An Episodic History of Art and Music in the 1960s (Ann Arbor: University of Michigan Press, 2020), ISBN: 978-0-472-13193-8 (hb).

Published online by Cambridge University Press:  21 December 2021

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Type
Review
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Twentieth-Century Music , Volume 18 , Issue 3 , October 2021 , pp. 481 - 487
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Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

1 See Potter, Keith, Four Musical Minimalists (Cambridge: Cambridge University Press, 2000), 197Google Scholar.

2 Ashley, Robert, Music with Roots in the Aether: Interviews with and Essays about Seven American Composers (Cologne: Edition MusikTexte, 2000), 64Google Scholar.

3 Potter, Four Musical Minimalists, 10 (my emphasis).

4 See, for example Michael Nyman's second interview with Steve Reich, conducted in 1976, reprinted in Steve Reich's Writings on Music: 1965–2000 (Oxford: Oxford University Press, 2002), 91–2. (The composer claims not have read LeWitt's essay when he composed this article.)

5 Glass, Philip, Words Without Music (New York: Liveright, 2015), 246Google Scholar.

6 Glass, Words Without Music, 246 (my emphasis).