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Introduction to the Special Issue on Music and Socialism
Published online by Cambridge University Press: 15 March 2019
Extract
The end of the twentieth century was marked by a sense of closure for many in the West. The Cold War was over, Western democracy had triumphed, and the future of neoliberalist capitalism seemed secure. The ‘end of history’, as Francis Fukuyama prematurely called it was, of course, short lived.1 The new century ushered in a series of economic and political crises that have shaken fin-de-siècle complacency to its core. Events ranging from the banking crisis of 2008 and the economic collapse of countries such as Greece to recent scandals surrounding ‘fake news’ and the activities of organizations like Cambridge Analytica have posed serious challenges to the primacy of neoliberalism, capitalism, and contemporary democratic processes. At the same time, the rise of far-right extremism and populism has resulted in bewildering shifts to the political discourses of both Europe and the United States. One response to these unsettling changes has been a resurgence of leftist politics. Over a century after the Russian Revolution of 1917 and fifty years on from the protests of 1968, socialist ideals have found a renewed impetus in the rise of movements such as Occupy, Podemos, Syriza, and grassroots support for politicians such as Bernie Sanders and Jeremy Corbyn.
- Type
- Introduction
- Information
- Twentieth-Century Music , Volume 16 , Special Issue 1: Special Issue: Music and Socialism , February 2019 , pp. 3 - 5
- Copyright
- Copyright © Cambridge University Press 2019