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Mervyn Cooke, A History of Film Music (Cambridge: Cambridge University Press, 2008), ISBN 978-0-521-81173-6 (hb), 978-0-521-01048-1 (pb)

Published online by Cambridge University Press:  29 November 2011

HOLLY ROGERS
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Reviews
Information
Twentieth-Century Music , Volume 7 , Issue 2 , September 2010 , pp. 245 - 248
Copyright
Copyright © Cambridge University Press 2011

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References

1 Wierzbicki, James, Film Music: a History (London: Routledge, 2009)Google Scholar.

2 Gorbman, Claudia, Unheard Melodies: Narrative Film Music (Bloomington: Indiana University Press, 1987)Google Scholar; Flinn, Caryl, Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music (Princeton, NJ: Princeton University Press, 1992)CrossRefGoogle Scholar.

3 Altman, Rick, Silent Film Sound (New York: Columbia University Press, 2007)Google Scholar; Annette Davison and Julie Brown are currently editing a book on silent film in Britain (Oxford University Press, forthcoming).

4 Flinn, Strains of Utopia; Gorbman, Unheard Melodies; Palmer, Christopher, The Composer in Hollywood (London and New York: Marion Boyars, 1990)Google Scholar; Citron, Marcia, Opera on Screen (New Haven and London: Yale University Press, 2004)Google Scholar; Stilwell, Robynn, ‘“I just put a drone under him …”: Collage and Subversion in the Score of Die Hard’, Music & Letters 78 (1997), 551–80CrossRefGoogle Scholar; Prendergast, Roy M., Film Music: a Neglected Art, 2nd edn (New York: Norton, 1992)Google Scholar.