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Pwyll ap Siôn, The Music of Michael Nyman: Texts, Contexts and Intertexts (Aldershot: Ashgate, 2007), ISBN 978-1-85928-210-6 (hb)
Published online by Cambridge University Press: 29 November 2011
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References
1 Nyman, Michael, Experimental Music: Cage and Beyond (London: Studio Vista, 1974Google Scholar; 2nd edn, Cambridge: Cambridge University Press, 1999). The book's manuscript was completed in 1972.
2 Cardew, Cornelius, ‘Scratch Orchestra: a Draft Constitution’, Musical Times 110 (1969), 617–19CrossRefGoogle Scholar.
3 Ap Siôn draws for his discussion on Allen, Graham, Intertextuality (London: Routledge, 2000)Google Scholar. Claude Lévi-Strauss's idea of the bricoleur is appropriated by Genette in the essay ‘Structuralism and Literary Criticism’, in Figures of Literary Discourse, trans. Sheridan, Alan (New York: Columbia University Press, 1982), 3–25Google Scholar.
4 See Chapter 1 of Jameson, Fredric, Postmodernism, or, the Cultural Logic of Late Capitalism (London: Verso, 1991)Google Scholar.
5 Cutler, Chris, ‘Plunderphonics’, in Classic Essays on Twentieth-Century Music, ed. Kostelanetz, Richard and Darby, Joseph (New York: Schirmer, 1996), 354–76Google Scholar.
6 Sacks, Oliver, The Man Who Mistook His Wife for a Hat, and Other Clinical Tales (New York: Simon & Schuster, 1985)Google Scholar.
7 Lerdahl, Fred and Jackendoff, Ray, A Generative Theory of Tonal Music (Cambridge, MA: MIT Press, 1983)Google Scholar.