Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-26T18:36:24.136Z Has data issue: false hasContentIssue false
  • English
  • Français

Tamara Levitz, Modernist Mysteries: Perséphone (New York: Oxford University Press, 2012), ISBN: 978-0-199-73016-2 (hb).

Published online by Cambridge University Press:  28 January 2015

JONATHAN CROSS
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Twentieth-Century Music , Volume 12 , Issue 1 , March 2015 , pp. 125 - 129
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Stravinsky, Igor, Poetics of Music in the Form of Six Lessons, trans. Knodel, Arthur and Dahl, Ingolf (Cambridge, MA: Harvard University Press, 1975), 85Google Scholar. Originally published in French as Poétique musicale (1942).

2 Houston Post, 26 January 1949, quoted in Craft, Robert, ‘“Dear Bob[sky]” (Stravinsky's Letters to Robert Craft, 1944–1949)’, Musical Quarterly 65/3 (1979), 424Google Scholar.

3 Stravinsky, Igor, ‘Some ideas about my Octuor’, reproduced in Eric Walter White, Stravinsky: The Composer and His Works, 2nd edn (London: Faber and Faber, 1979), 574, 577Google Scholar.

4 Stravinsky, Igor, An Autobiography (1903–1934) (London: Marion Boyars, 1990), 53Google Scholar. English trans. first pub. 1936 (no translator given). Originally published in French as Chroniques de ma vie (1935).

5 Letter from the White House signed by Richard M. Nixon, 6 April 1971, microfilm 249.1, Paul Sacher Stiftung, Basel. For further discussion, see Cross, Jonathan, ‘Stravinsky in Exile’, in Igor Stravinsky and his World, ed. Levitz, Tamara (Princeton: Princeton University Press, 2013), 1–17Google Scholar.

6 Messing, Scott, Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic (Ann Arbor: UMI Research Press, 1988)Google Scholar.

7 Taruskin, Richard, ‘Back to Whom? Neoclassicism as Ideology’, 19th-Century Music 16/3 (1993), 286–302CrossRefGoogle Scholar.