Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-27T10:49:28.122Z Has data issue: false hasContentIssue false

PHOTOGRAPHIC HISTORY AND THE VISUAL APPEARANCE OF AN IRISH NATIONALIST DISCOURSE 1840–1870

Published online by Cambridge University Press:  14 April 2004

Sarah Jane Edge
Affiliation:
University of Ulster

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
EDITORS' TOPIC: VICTORIAN IRELAND
Copyright
© 2004 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Anderson Benedict. 1983 Imagined Communities: Reflections on the Origins and Spread of Nationalism. London: Verso
Barthes Roland. 1977The Rhetoric of the Image.” Image Music Text. Ed. S. Heath. London: Fontana 3351.
Benjamin Walter. 1973The work of Art in the Age of Mechanical Reproduction.” Illuminations. London: Fontana 219–53.
Bernard V., and Pauline. F. Heathcote. (1979) “Richard Beard: an Ingenious and Enterprising Patentee.” History of Photography 3.4: 31329.Google Scholar
Chandler Edward, and Peter. Walsh. 1989 Through The Brass Lidded Eye: Photography in Ireland, 1839–1900. Dublin: Guinness Museum Publication
Cowling Mary. 1989 The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge: Cambridge UP
Cullen Fintan. 1997 Visual Politics: The Representation of Ireland 1750–1930. Cork: Cork UP
Curtis Liz. 1985 Nothing but the Same Old Story: The Roots of Anti-Irish Racism. London: Information on Ireland
Curtis Lewis Perry. 1997 Apes and Angels: The Irishman in Victorian Caricature. Revised ed. Newton Abbot: David and Charles
Edge Sarah. (1998) “The Power to Fix the Gaze Gender and Class in Victorian Photographs of Pit-Brow Women.” Visual Sociology 13.2: 3756.Google Scholar
Edwards Elizabeth, ed. 1992 Anthropology and Photography 1860–1920. New Haven & London: Yale UP
Fenian Files (FF), Fenian Photographs (FP) National Archives Dublin.
Foucault Michel. 1981 The History of Sexuality, Vol. 2: An Introduction. Hamondsworth: Pelican
Green David. (1984) “Classified Subjects, Photography and Anthropology: Technologies of Power.” Ten. 8 14: 3037.Google Scholar
Green-Lewis Jennifer. 1996 Framing the Victorians Photography and The Culture of Realism. Ithaca: Cornell UP
Hamilton Peter, and Rodger Hargreaves. 2001 The Beautiful and the Damned. Aldershot: Lund Humphries
Kee Robert. 1979 The Bold Fenian Men. London: Quartets
Kelly Mary, and Barbara O'Connor, eds. 1977 Media Audiences in Ireland. Dublin U College P
Leerssen Joep. 1996 Remembrance and Imagination Patterns in the Historical and Literary Representations of Ireland in the Nineteenth Century. Cork: Cork UP
Linkman Audrey. 1993 The Victorians Photographic Portraits. London, New York: Tauris Park Books
Lloyd David. 1999 Ireland after History. Dublin, Cork UP
Mclintock Anne. 1995 Imperial Leather Race, Gender and Sexuality in the Colonial Contest. London, Routledge
McLoone Martin, and John MacMahon, eds. 1984 Television and Irish Society. Dublin IFI/RTE
McLoone Martin, ed. 1991 Culture, Identity and Broadcasting in Ireland: Local Issues, Global Perspectives. Belfast: Institute of Irish Studies
McLoone Martin, ed. 2000 Irish Film The Emergence of Contemporary Cinema. London: BFI
McGrath Roberta. (1984) “Medical Photography.” Ten. 8 14: 1318.Google Scholar
Moody Theodore William, ed. 1968 The Fenian Movement. Cork: The Mercier P
O'Cathaoir Brendan. 1999 John Blake Dillon: Young Irelander. Dublin: Irish Academic P
O'Sullivan T. F. 1945 The Young Irelanders. Tralee: The Kerryman
Pettitt Lance. 2000 Screening Ireland Film and Television Representations. Manchester UP
Pultz John. 1995 The Body and the Lens: Photography 1839 to the Present. New York: Harry N Abrams
Rockett Kevin, Luke Gibbons, and John Hill. 1987 Cinema and Ireland. London: Routledge
Ryan James. 1997 Picturing Empire: Photography and the Visualisation of the British Empire. London: Reakin Books
Said Edward. 1994 Culture and Imperialism. London: Vintage
Said Edward. 1978 Orientialism. Hamsworth: Penguin
Sander Gilman. 1985 Difference and Pathology. Ithaca: Cornell UP
Sekula Alan. 1996The Body and The Archive.” The Contest of Meaning. Ed. R. Bolton. Cambridge: MIT P, 343–88
Slattery Peadar. 1992Uses of Photography in Ireland 1839–1900.” Diss. Dublin: Trinity College
Swift Roger, and Sheridan Gilley, eds. 1985 The Irish in the Victorian City. London: Croom Helm
Tagg John. (1984) “The Burden of Representation, Photography and The Growth of the State.” Ten 8 14: 1013.Google Scholar
Tagg John. 1988 The Burden of Representation Photography: Essays on Photographies and Histories. London: Macmillan