No CrossRef data available.
Article contents
Sławomira Żerańska-Kominek,. The Tale of Crazy Harman: The Musician and the Concept of Music in the Türkmen Epic Tale, Harman Däli. Translated from Polish by Jerzy Ossowski. Warsaw: DIALOG Academic Publications, 1977. 305 pp., plates, bibliography, index.
Review products
Sławomira Żerańska-Kominek,. The Tale of Crazy Harman: The Musician and the Concept of Music in the Türkmen Epic Tale, Harman Däli. Translated from Polish by Jerzy Ossowski. Warsaw: DIALOG Academic Publications, 1977. 305 pp., plates, bibliography, index.
Published online by Cambridge University Press: 07 March 2019
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Book Reviews
- Information
- Copyright
- Copyright © 2004 by the International Council for Traditional Music
References
References cited
Blackwell, Carole 2001 Tradition and Society in Turkmenistan: Gender, Oral Culture and Song. Richmond, UK: Curzon.Google Scholar
Leiden, Brill, Chadwick, Nora K. and Zhirmunsky, Victor 1969 Oral Epics of Central Asia. Cambridge, UK: Cambridge University Press.Google Scholar
Karryev, Baimukhamed 1983 Görogly: Türkmen Gahrymancylyk/Türkmenskiï Geroicheskiï Ëpos. Moscow: Glavnaya Redaktsiya Vostochnoï Literatury.Google Scholar
Reichl, Karl 1992 Turkic Oral Epic Poetry: Traditions, Forms, Poetic Structure. New York: Garland Publishing.Google Scholar
Uspenskiï, Victor A. and Beliaev, Viktor M. 1936 (1979) Turkmenskaya Muzyka. 2 Vols. Moscow: Nauka (Aşgabat: Turkmenistan).Google Scholar
Żerańska-Kominek, Sławomira 1992 The Turkmen Bakhshy: Shaman and/or Artist. In European Studies in Ethnomusicology: Historical Developments and Recent Trends, eds. Baumann, Max P. and Wegner, Ulrich, 303–316. Wilhelmshaven: Florian Noetzel Verlag.Google Scholar
Żerańska-Kominek, Sławomira 1998 The Concept of Journey (Yol) in Turkmen Music Tradition. Ethnomusicology 42(2): 265–82.Google Scholar