Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-25T19:08:41.541Z Has data issue: false hasContentIssue false

‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory

For Carl Voegelin

Published online by Cambridge University Press:  07 March 2019

Extract

Relations between language and music have traditionally been addressed at two distinct levels of discourse. One is phenomenal and often taxonomic, addressing the boundaries of speech and song, prosody and intonation, text and tune, paralanguage and vocables, sprechgesang and sprechstimme, and motivation toward signifier or signified. The other level is analytical and sometimes abstract, addressing the adaptation of phonological and syntactic linguistic models to features of musical structure (a review and critique is Feld 1974).

Type
Articles
Copyright
Copyright © 1982 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Basso, Keith 1976 ‘Wise words’ of the Western Apache: metaphor and semantic theory, in Keith Basso and Henry Selby, eds., Meaning in Anthropology. Albuquerque: University of New Mexico Press. Pp. 93121.Google Scholar
Feld, Steven 1974 Linguistic models in ethnomusicology. Ethnomusicology 18(2): 197217.CrossRefGoogle Scholar
Feld, Steven 1982 Sound and Sentiment: birds, weeping, poetics and song in Kaluli expression. Philadelphia: University of Pennsylvania Press.Google Scholar
Feld, Steven and Schieffelin, Bambi B. 1982 Hard talk: the functional basis for Kaluli discourse, in Tannen, Deborah, ed., Text and Talk (Proceedings of the Georgetown University Round-table in Linguistics and Languages, 1981). Washington, D.C.: Georgetown University Press.Google Scholar
Keil, Charles 1979 Tiv Song. Chicago: University of Chicago Press.Google Scholar
Lakoff, George and Johnson, Mark 1980 Metaphors We Live By. Chicago: University of Chicago Press.Google Scholar
Nettl, Bruno 1956 Music in Primitive Culture. Cambridge: Harvard University Press.Google Scholar
Powers, William K. 1980 Oglala Song Terminology. Selected Reports in Ethnomusicology III(2):23–41.Google Scholar
Reddy, Michael 1969 A semantic approach to metaphor. Papers of the Fifth Regional Meeting of the Chicago Linguistic Society. Pp. 240251.Google Scholar
Rumelhart, D.E. 1979 Some problems with the notion of literal meanings, in Ortony, A., ed., Metaphor and Thought. New York: Cambridge University Press. Pp. 7890.Google Scholar
Schieffelin, Bambi B. 1979 How Kaluli Children learn what to say, what to do, and how to feel: an ethnographic approach to the development of communicative competence. Unpublished Ph.D. dissertation, Dept. of Anthropology, Columbia University.Google Scholar
Schieffelin, E.L. 1976 The Sorrow of the Lonely and Burning of the Dancers. New York: St. Martins Press.Google Scholar
Smith, Sandra i.p. The constituents of music ethnotheory: an example from the Kuna of Panama, in Ethnotheory, M. Herndon, ed., Norwood Editions.Google Scholar
Stone, Ruth M. 1981 Toward a Kpelle conceptualization of Music Performance. Journal of American Folklore 94(372): 188206.Google Scholar
Tedlock, Barbara 1980 Songs of the Zuni Kachina Society: Composition, Rehearsal and Performance, in Frisbie, Charlotte, ed., Southwestern India Ritual Drama. Albuquerque: University of New Mexico Press. Pp. 735.Google Scholar
Verbrugge, R.R. 1979 The primacy of metaphor in development, New Directions for Child Development 6:78.Google Scholar
Worth, Sol 1974 Seeing metaphor as caricature. New Literary History 6:195209.Google Scholar
Zemp, Hugo 1978Are'are Classification of musical types and instruments. Ethnomusicology 22(1):3767.Google Scholar
Zemp, Hugo 1979 Aspects of ‘Are'are Musical Theory. Ethnomusicology 23(1): 548.Google Scholar