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Masculinized China vs. the Feminized West: Musical Intertextuality and Cultural Representations in Once Upon a Time in China I and II

Published online by Cambridge University Press:  06 December 2018

Po-wei Weng
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Extract

This article is an ethnomusicological inquiry into music in Chinese martial arts film. Film is a form of cultural performance in modern society. It conveys codified cultural messages, transforms social values, dramatizes myths, and comments on social conflicts. Film also engenders discourse that facilitates the building or rebuilding of personal and collective identities. As an ethnomusicologist, I am interested in the ways in which film music, like music in cultural performance, reflects the modern needs and desires of people crossing geographical and cultural boundaries. To study music in global cinema is to study how a modern form of performance interacts with its cultural heritages and contemporary sociocultural changes. Furthermore, the study of Chinese martial arts film music is an attractive topic in that it allows interdisciplinary dialogues among scholars in ethnomusicology, film studies, cultural studies, and Asian studies.

Abstract in chinese

Abstract in Chinese

Type
Articles
Information
Yearbook for Traditional Music , Volume 46 , 2014 , pp. 140 - 158
Copyright
Copyright © 2014 by the International Council for Traditional Music

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