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Published online by Cambridge University Press: 14 February 2019
1 The bibliography is more than sketchy, even though it contains just five Japanese and four non-Japanese titles, for it does cite at least two items by Hans Eckardt which so far I have never found quoted in the American literature: Hans Eckardt, Das Kokonchomonshû des Tachibana Narisue als musikgeschichtliche Quelle. Göttinger Asiatische Forschungen, vol. 6 (Wiesbaden, 1956), and his “Japanische Musik,” Musik in Geschichte und Gegenwart (Kassel, 1957), VI, pp. 1720–1752.Google Scholar