Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-13T02:31:49.275Z Has data issue: false hasContentIssue false

Reference

Published online by Cambridge University Press:  27 June 2019

Derek B. Scott
Affiliation:
University of Leeds
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0 https://creativecommons.org/cclicenses/

References

Anderson, James, The Complete Dictionary of Opera and Operetta, 2nd edn (London: Bloomsbury, 1993)Google Scholar
Bordman, Gerald Martin and Norton, Richard, American Musical Theatre: A Chronicle, 4th edn (New York: Oxford University Press, 2011; orig. pub. 1978)Google Scholar
Czech, Stan, Das Operettenbuch: Ein Führer durch die Operetten und Singspiele der deutschen Bühnen (Stuttgart: Muth’sche Verlag, 1950)Google Scholar
Dahlhaus, Carl (ed.), Pipers Enzyklopädie des Musiktheaters, 6 vols. + index (Munich: Piper, 1986)Google Scholar
Deutsches Bühnen-Jahrbuch (Berlin: F. A. Günther & Sohn)Google Scholar
Deutscher Bühnenspielplan, 48 vols. (Berlin: Neuer Theater-Verlag, 1896–1944)Google Scholar
Drone, Jeanette Marie, Index to Opera, Operetta and Musical Comedy Synopses in Collections and Periodicals (Metuchen, NJ: Scarecrow Press, 1978)Google Scholar
Elsaesser, Thomas with Wedel, Michael (eds.), The BFI Companion to German Cinema (London: BFI Publishing, 1999)Google Scholar
Ewen, David, The Book of European Light Opera (New York: Holt, Rinehart and Winston, 1962)Google Scholar
Gänzl, Kurt, The Encyclopedia of Musical Theatre, 2 vols. (New York: Schirmer, 2001)Google Scholar
Gänzl, Kurt and Bevan, Ian, The British Musical Theatre, 2 vols. (Macmillan, 1988)Google Scholar
Gänzl, Kurt and Lamb, Andrew, Gänzl’s Book of the Musical Theatre (London: The Bodley Head, 1988)Google Scholar
Green, Stanley, Encyclopedia of the Musical Theatre (New York: Dodd, Mead, 1976)Google Scholar
Herbert, Ian (ed.), Who’s Who in the Theatre: A Biographical Record of the Contemporary Stage, 16th edn (London: Pitman, 1977)Google Scholar
Letellier, Robert Ignatius, Operetta: A Sourcebook, 2 vols. (Newcastle: Cambridge Scholars Publishing, 2015)Google Scholar
Lubbock, Mark, The Complete Book of Light Opera. With an American section by David Ewen (London: Putnam, 1962)Google Scholar
Mantle, Burns (ed.), The Best Plays, annual vols. pub. (Boston: Small, Maynard, 1920–25; New York: Dodd, Mead 1926–40)Google Scholar
McSpadden, J. Walker, Opera and Musical Comedies (New York: Thomas Y. Cromwell, 1946)Google Scholar
Melitz, Leo, Führer durch die Operetten (Berlin: Globus-Verlag, 1916)Google Scholar
Norton, Richard C., A Chronology of American Musical Theater, 3 vols. (New York: Oxford University Press, 2002)Google Scholar
Raymond, Jack, Show Music on Record from the 1890s to the 1980s (New York: Frederick Ungar Publishing, 1982)Google Scholar
Rourke, Sean, Franz Lehár: Thematische Index / Thematic Index (London: Glocken Verlag, 1985)Google Scholar
Rust, Brian, with Rex Bunnet, London Musical Shows on Record 1897–1976 (Harrow, Middlesex: General Gramophone Publications, 1977)Google Scholar
Rust, Brian and Forbes, Sandy, British Dance Bands on Record 1911–1945 (Harrow, Middlesex: General Gramophone Publications, 1987)Google Scholar
Salem, James M., A Guide to Critical Reviews, Part II: The Musical, 1909–1989, 3rd edn (Metuchen, NJ: Scarecrow Press, 1991) [New York, Broadway and Off-Broadway, and try-outs.]Google Scholar
Schneidereit, Otto, Operette A–Z: Ein Streifzug durch die Welt der Operette und des Musicals (Berlin: Henschelverlag, 1975) (Earlier edn pub. as Operette: Von Abraham bis Ziehrer, 1965)Google Scholar
Stengel, Theo, and Gerigk, Herbert (eds.), Lexikon der Juden in der Musik (Berlin: Bernhard Hahnefeld Verlag, 1940)Google Scholar
Stratman, Carl J., American Theatrical Periodicals 1798–1967: A Bibliographical Guide (Durham, NC: Duke University Press, 1970)Google Scholar
Wagner, Heinz, Das große Operettenbuch: 120 Komponisten und 430 Werke (Berlin: Parthas-Verlag, 1997)Google Scholar
Wearing, J. P., American and British Theatrical Biography: A Directory (Metuchen, NJ: Scarecrow Press, 1979)Google Scholar
Wearing, J. P., The London Stage 1890–1959: A Calendar of Production, Performers, and Personnel, 2nd edn, 14 vols. (Lanham, MD: Rowman & Littlefield, 2013–14; orig. pub. Metuchen, NJ: Scarecrow Press, 1976–93)Google Scholar
Who Was Who in the Theatre, 1912–1976: A Biographical Dictionary of Actors, Actresses, Directors, Playwrights and Producers of the English-Speaking Theatre, 76th edn. Gale Composite Biographical Dictionary Series (Detroit: Gale, 1978). This 4-vol set is compiled from vols. 1–15 of Who’s Who in the TheatreGoogle Scholar
Who’s Who in the Theatre: A Biographical Record of the Contemporary Stage, 16th edn, ed. Ian, Herbert (London: Pitman, 1977)Google Scholar
Wlaschin, Ken, Encyclopedia of Opera on Screen: A Guide to 100 Years of Films, DVDs, and Videocassettes Featuring Operas, Opera Singers, and Operettas (New Haven, CT: Yale University Press, 2004)Google Scholar
Würz, Anton (ed.), Reclams Operettenführer (Stuttgart: Reclam, 1951)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Reference
  • Derek B. Scott, University of Leeds
  • Book: German Operetta on Broadway and in the West End, 1900–1940
  • Online publication: 27 June 2019
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Reference
  • Derek B. Scott, University of Leeds
  • Book: German Operetta on Broadway and in the West End, 1900–1940
  • Online publication: 27 June 2019
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Reference
  • Derek B. Scott, University of Leeds
  • Book: German Operetta on Broadway and in the West End, 1900–1940
  • Online publication: 27 June 2019
Available formats
×