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FRAGMENTS OF FAITH: UNPICKING ARCHBISHOP JOHN MORTON’S VESTMENTS

Published online by Cambridge University Press:  19 June 2020

Mary M Brooks ,
Sonia O’Connor ,
Christopher Caple ,
C Pamela Graves  and
Anita Quye
Mary M Brooks
Affiliation:
Mary M Brooks, Department of Archaeology, Durham University, Lower Mountjoy, South Road, DurhamDH1 3LE, UK. Email: mary.brooks@durham.ac.uk
Sonia O’Connor
Affiliation:
Sonia O’Connor, Department of Archaeological and Forensic Sciences, University of Bradford, Richmond Road, BradfordBD7 1DP, UK. Email: s.oconnor@bradford.ac.uk
Christopher Caple
Affiliation:
Anita Quye, Department of Archaeology, Durham University, Lower Mountjoy, South Road, DurhamDH1 3LE, UK. Email: christopher.caple@durham.ac.uk
C Pamela Graves
Affiliation:
C Pamela Graves, Department of Archaeology, Durham University, Lower Mountjoy, South Road, DurhamDH1 3LE, UK. Email: c.p.graves@durham.ac.uk
Anita Quye
Affiliation:
Christopher Caple, Centre for Textile Conservation and Technical Art History, History of Art, School of Culture and Creative Arts, University of Glasgow, 8 University Gardens, Glasgow, G12 8QH, UK. Email: anita.quye@glasgow.ac.uk
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Abstract

This paper uses evidence from a previously unresearched ecclesiastical textile associated with Archbishop John Morton (c 1420−1500) to generate new insights into the material culture of the Roman Catholic faith before, during and after the penal period in England (c 1558−1829). This composite textile was initially thought to be made up of fragments of a late 1400s cope bearing Morton’s rebus, reconfigured as an altar frontal, which had survived in the house of an important Roman Catholic family. The embroidered motifs include a unique Lily Crucifix. The textile’s complex biography is ‘unpicked’ using physical and textual evidence to understand its changing forms, roles and significance. Analysis of the material and construction, combined with evidence gained through X-radiography, showed the frontal to be composed of parts of a cope and at least one other vestment, with a now missing image of the Annunciation. Mapping the stages of fragmentation, removal and re-modelling demonstrates the transformation of significant mainstream vestments into other forms. The paper illuminates aspects of Morton’s faith and provides new insights into the practices of recusant Roman Catholics.

Keywords

faith practicesrecusant historyOpus Anglicanumvestmentsdye analysisAuckland Projectobject biography
Type
Research paper
Information
The Antiquaries Journal , Volume 100 , September 2020 , pp. 274 - 303
Copyright
© The Society of Antiquaries of London, 2020

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References

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