We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
African musical practices in Australia are highly diverse and multifaceted. This chapter examines the work of a Senegalese Australian artist across contexts ranging from a new multimedia arts initiative, music festivals, community events and schools. Drawing on evidence from ethnographic research as well as performer and educator experiences, it shows that music provides an important space through which to explore the complexities of diasporic experience in Australia and to engage in self-representation countering dominant negative portrayals of Africans in Australian media and political discourse. Through music, African Australian artists negotiate ideas about cultural specificity and universality, maintaining connections to African cultural practices while forging new connections and forms of creativity in contemporary Australia.
The field of Atlantic history initially focused exclusively on the Anglo-American North Atlantic, largely ignoring the South Atlantic and Africa. This approach, dominant after World War II, portrayed a “Western civilization” based on North Atlantic liberal values, akin to a postwar Mediterranean. Over time, historians of the Anglo-American Atlantic criticized this narrow focus, recognizing the broader interconnectedness of the Atlantic world. Recent decades have seen a shift, with more historians acknowledging the Atlantic as a complex, interconnected space involving four continents. Particularly notable is the rise of studies on the South Atlantic, especially regarding science and empire in the Iberian world. These studies highlight the significant role of Spain and Portugal, challenging the previously North Atlantic-centered narrative. This research has revealed that the Atlantic world was as much, if not more, shaped by Spanish and Portuguese influences as by English ones. The reviewed works exemplify this shift, focusing on the South Atlantic's imperial entanglements and the African diaspora in the Caribbean.
This 2021 ASA Presidential Lecture combines sociopolitical history with personal reflections on Black Harlem during African decolonization. It begins at the turn of the twentieth century and traces Harlem’s transformation into an international center of pan-Africanist activism and cultural production. Brown explores solidarities that grew as Harlem politicians, grassroots leaders, and residents encountered political exiles and cultural leaders from the continent, the diaspora, and aligned political movements worldwide. These alliances and modes of protest facilitated a hardening of militant activist traditions and cultural cohesion that shaped an anti-imperialist pan-African movement and ultimately a multinational Black political movement in the 1960’s to 1990s.
The central role of Gold Coast societies, ports, and cities in the emerging Atlantic circuit is critical to understanding the history of the Atlantic world. The study of the causes and effects of Gold Coast societies’ transition from African polities and economies to transatlantic entrepots and trading emporiums and their subsequent impact on the Americas has been the hallmark of Ray Kea's scholarship. Since the beginning of his career, Kea has been a significant contributor to the study of the African Atlantic, and the field's various debates and disciplinary evolutions. While many scholars of the Gold Coast recognize Kea's work as foundational to scholarship on the Gold Coast, engagement with his work has not been rigorous. Kea is often cited in bibliographies and aspects of his work have served as benchmarks for other forays into Gold Coast histories. However, there is a need to go beyond an appreciation for Kea as a trailblazer, passing reference of his scholarship, and bibliographic citation of his work to a more thorough and consistent discourse with his major ideas and propositions. Kea has been, for example, adept at integrating innovations and ideas in various disciplinary arenas. He dexterously applies Marxist and postmodernist theories, diverse historiographies of the Atlantic world, and conceptual tools to traditional archival and oral historical data in his analyses of Gold Coast and diasporic societies. This review essay argues for Kea's importance and the need for a deeper engagement with his work in the field by putting his work into conversation with both classic Atlantic historiographies and recent scholarship that has built off Kea's.
When scholars have compared “African traditional religion” and “Western science,” they have often treated the terms of this comparison as racialized unitary entities, which are either radically different or somewhat similar (even as Western categories of rationality or nature remain the basis for these comparisons). This essay unsettles these assumptions by focusing on practices that are called “science” in the fields of both petroleum geology and Afro-Caribbean religion. Based on long-term ethnographic research in Trinidad, arguably the world’s oldest site of commercial oil extraction, I show how internal differences between those involved in “petroleum science” and “African religion” reveal a spectrum of meanings for the word “science” centered on relations to risk. At one end of this spectrum, science conveyed ideals of stable tradition that de-risked claims to knowledge for energy sector specialists intent on securing foreign investment or for “Yorubacentric” lineages of African religion centering initiation-based authority. At this spectrum’s other end, “science” foregrounded the risks of accessing hard-to-perceive forces in petroleum exploration or “spiritual work.” By focusing on heterogeneous practices rather than cultural essences or ideals of rationality, I show how the ethical implications of “science” depend on differing experiences of the risks of working with subterranean powers. While petroleum surveys at my field site in Trinidad required embodied risks by laborers, geologists backgrounded these contexts of power, representing the risks of their work as a problem of scientific accuracy. Afro-Trinidadian spiritual workers, in contrast, foregrounded the embodied risks of science as the ground of ethical practice.
Beginning in 1900, colonial railway departments in Sierra Leone, the Gold Coast, and Nigeria began turning to the Caribbean for skilled labor instead of hiring African workers. When West Indian railway workers began to arrive in West Africa, Africans were indignant, and they voiced their objections in newspapers. West Indians sometimes responded to these grievances with calls for racial unity, yet their appeals were inflected with colonial hierarchies. Such exchanges were centered on railway jobs, but they were also embedded in larger discussions about empire, race, and the legacies of the transatlantic slave trade. I argue that these exchanges reveal the significance of colonial hierarchies and diasporic tensions in the intellectual history of pan-Africanism in early twentieth-century West Africa. The article draws on newspapers and archival research from West Africa, the Caribbean, and the UK.
Edited by
Cecilia McCallum, Universidade Federal da Bahia, Brazil,Silvia Posocco, Birkbeck College, University of London,Martin Fotta, Institute of Ethnology, Czech Academy of Sciences
Black feminist anthropology has been and continues to be rooted in intellectual engagements with transnational Blackness, transnational feminism, queer politics, global anti-Blackness, anti-imperialism, and anticapitalism. Black feminist anthropology is a global endeavor that applies theory and lived experience to restructure ethnography and praxis that is engaged in an intersectional analysis of various oppressions and strategies for resistance, survival, and freedom. This chapter builds on those studies that identify the importance of including transnational Black feminism in the anthropological canon and supporting scholars who center Black women’s experiences throughout the diaspora. The aim is to encourage the use of a transnational Black feminist analytic to transform anthropological approaches to the study of Africa and its diaspora; constructions of labor, production, and reproduction; racialized identity formation; the performance of those identities across gender and sexuality; and narratives of oppression, resistance, and survival. The author centers transnational Black feminist frameworks that see the formation of diaspora as a site for solidarity that coalesce as a result of, around, and between women-led and gender-based political movements. For Black feminist anthropologists it names what was already possible, while providing an intentional epistemic framework and methodology for collaboration with Black feminists throughout Africa and its diaspora.
This chapter argues that it is difficult to think about Afrofuturism without considering diaspora. At the same time, it shows how speculative writing reimagines diasporic paradigms derived from historical trauma. It begins with the search for an alternative epistemology in early twentieth-century African American speculative writing, where a turn to an African utopia promises relief from anti-Black historical violence, figured as the healing of a scattered Black family reunited after a long estrangement. Such diasporic fantasies are frequently challenged by African thinkers, who refuse to let their homelands become fodder for imaginative projection alone and underscore fractures in transnational encounters. Tracing the flourishing of Afrofuturist paradigms since the 1990s, devoted to visions of a future where race neither magically disappears nor becomes all-encompassing, this chapter identifies currents of alienation and prophecy, dismemberment and remixing in a range of Afrofuturist projects, ending with the recent boom in African-centered perspectives.
Through their participation in an unequal Atlantic commerce, African merchants on the Gold Coast consciously transformed their dress in ways that expressed their cultural dynamism and economic success in an increasingly interconnected world. In discussing the web of cross-cultural commercial exchanges between Africa, Asia, and Europe, this article moves away from the tendency to regard Africans who adorned themselves in imported European clothing and textiles as ‘creole’ or ‘Europeanized’ elites. Labels like these not only assume the existence of an African cultural essence, but (inadvertently) deny the dynamism that has always characterized African cultures prior to the Atlantic economy. In the case of the Gold Coast, I examine how the Gã and Fante mercantile elite translated imported textiles and clothing into new cultural meanings, aesthetics and norms that emphasized family integrity, power as well as the ancestral, material and commercial value of inherited imported articles of adornment.
In the seventeenth century, Veracruz was the busiest port in the wealthiest colony in the Americas. People and goods from five continents converged in the city, inserting it firmly into the early modern world's largest global networks. Nevertheless, Veracruz never attained the fame or status of other Atlantic ports. Veracruz and the Caribbean in the Seventeenth Century is the first English-language, book-length study of early modern Veracruz. Weaving elements of environmental, social, and cultural history, it examines both Veracruz's internal dynamics and its external relationships. Chief among Veracruz's relationships were its close ties within the Caribbean. Emphasizing relationships of small-scale trade and migration between Veracruz and Caribbean cities like Havana, Santo Domingo, and Cartagena, Veracruz and the Caribbean shows how the city's residents – especially its large African and Afro-descended communities – were able to form communities and define identities separate from those available in the Mexican mainland.
Chapter 4 examines Veracruz’s role as a hub of the transatlantic slave trade. Drawing on archival manuscripts held in Mexico and not previously used in studies of the slave trade, it offers a detailed examination of the slave trade to Mexico in three chronological stages: an early period (before 1595); the asiento period (1595–1640); and a decline period (1640–1713). In its examination of both the early and later stages of the slave trade, the chapter departs from earlier studies that focus mainly on the Portuguese asiento period, showing that more captives arrived in Veracruz in the early and decline periods than has been acknowledged and those who did hailed disproportionately from West Africa, rather than West Central Africa. Across all periods, the chapter demonstrates the complexity of the early modern slave trade to the Spanish Caribbean, focusing especially on the intercolonial slave trade and on nonlinear slave ship voyages that delivered captives in multiple colonies. In this, it argues that we should not think of captives who arrived in Mexico as a distinct “cohort,” but as part of a regionwide diaspora to multiple Caribbean territories.
The Introduction describes Veracruz as a central node in trade and migration networks that spanned the early modern globe, but also as a city that nonetheless is not typically afforded a status alongside other colonial American ports, like Havana, Philadelphia, or Cap-Français. In examining Veracruz’s social history more closely, the Introduction argues we can illuminate not only the distinctive social and cultural world of its inhabitants, but through the city’s relationship to ports in the Caribbean, an entire regional system that mediated the definition of colonial categories like race, caste, ethnicity, religion, and status in the seventeenth century, especially for Africans and their descendants. It then situates the book’s contributions at the intersection of three fields of historical scholarship--Latin American, Caribbean, and Atlantic--and offers a detailed outline of the book’s chapters.
If the head is religion, the gut is magic. Taking up this provocation, this Element delves into the digestive system within transnational Afro-Diasporic religions such as Haitian Vodou, Brazilian Candomblé, and Cuban Lucumí (also called Santería). It draws from the ethnographic and archival record to probe the abdomen as a vital zone of sensory perception, amplified in countless divination verses, myths, rituals, and recipes for ethnomedical remedies. Provincializing the brain as only one locus of reason, it seeks to expand the notion of 'mind' and expose the anti-Blackness that still prevents Black Atlantic knowledges from being accepted as such. The Element examines gut feelings, knowledge, and beings in the belly; African precedents for the Afro-Diasporic gut-brain axis; post-sacrificial offerings in racist fantasy and everyday reality; and the strong stomachs and intestinal fortitude of religious ancestors. It concludes with a reflection on kinship and the spilling of guts in kitchenspaces.
Drawing on interviews and archival and published materials, Gyamfi reinterprets Anani Dzidzienyo’s significance as a Black Studies scholar and activist. Dzidzienyo was a pioneer in academic African diaspora studies who institutionalized the inclusion of Africa and Brazil. For fifty years, Dzidzienyo created Black Studies and Afro-Latin American programs, designed Afro-Brazilian courses that expanded Portuguese and Brazilian Studies, and supported freedom struggles in Africa and Brazil. In so doing, he built a transnational network of scholar-activists and institutions. Yet, for all this, scholars have mostly neglected Dzidzienyo’s work and wide influence on multiple fields of study and liberation movements.
The Haitian Revolution was perhaps the most successful slave rebellion in modern history; it created the first and only free and independent Black nation in the Americas. This book tells the story of how enslaved Africans forcibly brought to colonial Haiti through the trans-Atlantic slave trade used their cultural and religious heritages, social networks, and labor and militaristic skills to survive horrific conditions. They built webs of networks between African and 'creole' runaways, slaves, and a small number of free people of color through rituals and marronnage - key aspects to building the racial solidarity that helped make the revolution successful. Analyzing underexplored archival sources and advertisements for fugitives from slavery, Crystal Eddins finds indications of collective consciousness and solidarity, unearthing patterns of resistance. The book fills an important gap in the existing literature on the Haitian Revolution. This title is also available as Open Access on Cambridge Core.
The Haitian Revolution (1789–1804) in Saint-Domingue (later Haiti) and the African Protestant movement in the early United States coincided to produce a collective of protest literature by Black authors against the unequal treatment and inhumane bondage of Black people. Black Atlantic revolutionary literature offers a countervailing narrative to a historiography of the Haitian Revolution based on analysis from contemporary literary works by white writers. This repertoire of Black literature presents the history of expanding political and social freedoms across the Atlantic world. Black writers constructed disparate revolutionary views of freedom. In Saint-Domingue, Toussaint Louverture and Jean-Jacques Dessalines pursued different policies, and Julien Raimond advocated predominantly for enfranchisement of gens du couleur, free persons with African and European parentage. African American clergy Lemuel Haynes, Absalom Jones, and Richard Allen looked to Christian Republicanism to end slavery, while Freemason leader Prince Hall embraced revolutionary violence as legitimate to secure Black liberation. The geopolitical triumphs of the Haitian Revolution inspired transitions in Black Atlantic literature toward resistance writing throughout the nineteenth century. The revolutionary-era collective established a literary foundation upon which later Haitian and Black American authors published works heralding the birth of an independent Black republic in the Caribbean.