In the late 1960s, Ghanaians joined the global conversation about Black Power. Despite the absence of President Nkrumah and attempts to dampen local interest in radical political movements, young Ghanaian students, musicians, and audience members were well informed of the global implications of white supremacy. Okuda examines how Ghanaians expanded the legacy of Black Power into an African context, seizing opportunities to connect with African Americans via popular media, exchange programs, and soul music to show their solidarity with the fight against racist policies and practices abroad and to stay vigilant against neo-imperialism at home.
