This article compares the Apocalypse of Weeks with Galatians to examine whether the motif of creatio e contrario is apocalyptic. While reviewing the themes of revelation, salvation and eschatology in each text, it argues that creatio e contrario is absent from and theologically foreign to the Apocalypse; by contrast, this motif permeates Galatians, not because Paul retrieves it from the apocalypses but because for him the divine economy is shaped by the disjunctive, e contrario history of the crucified and risen Christ. Thus, creatio e contrario should be classified not as apocalyptic but as christomorphic.
