In this chapter I read a range of Zadie Smith’s fiction and nonfiction prose to look at how Zadie Smith’s corpus testifies to an agon between the writer’s prerogative of impersonality and elective affinities and the “dark and unarguable blackness” that relentlessly attaches to raced bodies. The novels and non-fiction ask to be read not as global theory or interventionist polemic but as battlefields in themselves. Reading Zadie Smith according to the terms set up by Frantz Fanon and Stuart Hall could also be crucial for decolonizing hard-bitten reading habits in the classroom that treat Black literature as interchangeable with Black culture and society. While Smith’s writing of this culture and society is immersive, she routinely and systematically problematizes the category of Blackness itself, choosing instead to imaginatively recreate the vicissitudes of identity at the intersections of race and class.

This chapter discusses changing conceptions of national identity as Britain entered its postcolonial phase after World War II. Structured around key moments like the attempt to reconfigure the Empire as a ’Commonwealth of Nations’, the famed 1948 arrival of the Empire Windrush with migrants from the Caribbean and the various citizenship laws passed in the wake of increasing migration from Britain’s colonial holdings, the chapter examines the work of writers who became part of the new communities settling into Britain during the post-war period. Pioneering authors E. R. Braithwaite, George Lamming, V. S. Naipaul and Sam Selvon are considered, as well as their literary inheritors, including Linton Kwesi Johnson, Jackie Kay, Hari Kunzru, Andrea Levy, Kamala Markandaya, Caryl Phillips and Benjamin Zephaniah. Ultimately, the chapter reveals how literature has both registered and assertively renegotiated the still incomplete evolution towards a more ecumenical sense of Britishness.