Special pottery shapes (phialai and dinoi) with polychrome or relief decoration are the focus of this study. These vessels, deposited in Etruscan graves as “prestige pottery,” reveal the central role of southern Etruria in the cultural relationships between Anatolia, the eastern Aegean, and the Italic peninsula in the Orientalizing and Archaic periods. Caere and Vulci appear to be catalysts of many of these novelties, with a gradual handover from the first center to the second over the decades at the turn of the seventh and sixth centuries BCE.

From about 550 to 510 BCE, Etruscan terracotta roofs display many innovations linked to terracotta roofs in Anatolia stratigraphically datable between 585 and 560/550 BCE: decorative motifs including double volutes and scrolls, lotuses, star-flowers, meanders, birds, landscape elements, centaurs, and animal battles; chariot race scenes with dogs and hares running below the horses, and particular horse trappings; painted motifs, without relief; a new polychrome palette of brown, gold, blue, and green; a white background and black outlines; L-shaped simas with an overlapping flange system; and high-relief pedimental sculpture. These features are documented pre-550 BCE at the sites of Larisa on the Hermus; Phocaea and Sardis in Anatolia; and post-550 BCE at Tarquinia, Veii, and Cerveteri (ancient Caere) in Etruria. The correspondences are so close as to indicate that artisans from Anatolia were active in Etruscan terracotta workshops for one generation after 550/540 BCE, recalling Herodotus’ stories of refugees fleeing west from Anatolia when the Persian king Cyrus began advancing into the area around 560 BCE and of Phocaean captives taken to Caere after the Battle of Alalia in 540 BCE.

This paper compares how ideas of power, rank, and status were communicated in Etruria and Anatolia in the Orientalizing period by the use of material items and images. By employing and exhibiting specific objects, elites used a non-verbal language to communicate with each other across frontiers in the Mediterranean area as well as to show their wealth and their sophistication in their own surroundings. Trade networks have been discovered, analyzed, and exhibited on various occasions in the last decade. However, we now have to deal with the significance of the selection, collection, and use of certain luxury items to the ostentation of accumulated wealth that are better known from the courtly societies of the Near and Middle East. The desire for possessing these items can be perceived in personal or private as well as social terms. As many of the items belong to the sphere of banqueting, it is mandatory to link the two worlds in question vis-à-vis this praxis of consumption and social events.

This chapter reconnects the architectural terracottas from different roofs of the cult building on the acropolis at Satricum with related foundations and in the process discovers a hitherto-unknown temple. While it was known that the cult building at the site went through multiple phases of extension, refurbishment, and reconstruction, the application of 3D modelling techniques in which all elements of the buildings are connected has succeeded in reconciling problematic data by identifying a new structure named ‘Sacellum II’. When the results are compared to contemporary temples in Rome, the relative precociousness of different cities’ architecture can be re-evaluated, leading to the suggestion that Caere, along with eastern Greece and Sicily, may have been influential in the development of religious architecture in central Italy. The project shows the value of studying terracottas and foundations together, something that is not done as a matter of course.