What political imaginaries have existed beyond the nation-state? What might the misfitting (queer?) materials of the past—those unamenable to inclusion in narratives of national resistance—teach us about colonial and apartheid pasts? What alternatives to the colony and its contemporary forms might we imagine now? To respond to these questions, this essay assembles an archive of twentieth-century Capetonian queenliness, placing the historical Queen Elizabeth in proximity with textual renderings of the queer queens of apartheid Cape Town. A fictional, tongue-in-cheek, book review, published in Drum magazine in 1977, figures as a paradigmatic text of a mid-century popular textual genre that is animated by the sensibility that I call “camp royalist.” The critical impetus that animates camp royalism provokes us to reconsider how we represent colonial and apartheid pasts and invites us to think about possible future, nonnational, political collectivities and critiques.
