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  • Chapter 3 - German Literature and Religion 1700–1770

  • Edited by Ian Cooper, University of Kent, Canterbury, John Walker, Birkbeck College, University of London
  • Book:
    Literature and Religion in the German-Speaking World
    Published online:
    14 September 2019
    Print publication:
    26 September 2019, pp 85-121

  • Summary

    This chapter explores a crucial transition in the understanding of infinity during the eighteenth century. Originally a divine attribute, against which the finite is reduced to insignificance (e.g., in Baroque poetry), the infinite becomes a feature to be embraced within the finite world itself. Together with developments in science and mathematics (e.g., the invention of the calculus at the end of the seventeenth century), other cultural spheres played a crucial role in normalizing the ‘anomaly’ (T. S. Kuhn) of the infinite. Chief among them were ‘physico-theology’ and religiously inflected poetry (especially Heinrich Brockes), which celebrated the divine within the grandest and minutest aspects of creation, and Pietism, which explored feelings of the sublime in nature and the soul (especially Friedrich Klopstock).