Introducing the book’s scope and thematics, Parnell is here positioned in terms of Max Weber’s theory of charismatic leadership; the traumatic void left by his downfall and death is aligned with the rise of post–William Morris utopian reform movements.

This chapter considers nineteenth-century Irish Gothic literary production, beginning with the Romantic-era ‘trade Gothic’ and culminating in the ghost stories of the fin de siècle. Acknowledging the significance of the texts that have now become synonymous with ‘the Irish Gothic’, the argument nevertheless probes the primary position they have been accorded in Irish literary historiography, questioning the process of literary canonisation that has marginalised large swathes of Irish Gothic writing. It thus offers an analysis of lesser-known texts that highlight the diverse range and scope of Irish engagement with the Gothic mode, from the ‘first wave’ Gothics (1790s to early 1800s) that were often condemned as mere imitations of Ann Radcliffe, to mid-century periodical publications that demonstrate the continued influence of the Gothic mode in Ireland even after the demise of ‘the Gothic novel’. It furthermore queries the understanding of Irish Gothic as a predominantly Protestant literary mode written almost exclusively by men, exploring the rich body of Catholic Gothic texts as well as the central contribution made by women writers to the mode’s development.