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2 results

  • Chapter 20 - Transatlantic Influences and Futures

  • from Part IV - Futures
  • Edited by Claire Connolly, University College Cork
  • Book:
    Irish Literature in Transition, 1780–1830
    Published online:
    28 February 2020
    Print publication:
    12 March 2020, pp 381-401

  • Summary

    This chapter considers the transatlantic influences that shaped Irish literary culture in the romantic period. In particular, it focuses on two understudied phenomena. First, the chapter provides an account of texts published in Ireland that concern African slavery and the transatlantic slave trade, written by pro-slavery sympathisers, white abolitionists, and writers of African descent like Ignatius Sancho and Olaudah Equiano. Second, it zeroes in on a forgotten Irish novel, Sarah Isdell’s The Vale of Louisiana, published in Dublin in 1805, which dramatises the transatlantic, trans-Caribbean travels of an English family, addresses slavery directly, and borrows heavily from a canonical early American novel, Charles Brockden Brown’s Wieland (1798). The chapter concludes on the other side of the ‘steep Atlantic’, as Sydney Owenson called it, and briefly addresses the publication and reception of Irish writers in the early United States, especially Thomas Moore and Maria Edgeworth, where they found an unpredictable and productive future.

  • 17 - The Irish trade

  • from I - LONDON AND THE ‘COUNTRY’
  • Edited by Michael F. Suarez, SJ, University of Virginia, Michael L. Turner, Bodleian Library, Oxford
  • Book:
    The Cambridge History of the Book in Britain
    Published online:
    28 September 2010
    Print publication:
    29 October 2009, pp 366-382

  • Summary

    The late start of printing in Ireland, in 1551, is an indication of the relative isolation and backwardness of its economy. Printing was introduced to the country as an instrument of government policy to promote its secular aim of securing power and religious objective of promoting the reformed religion. The potential growth of the book trade was hampered by the highly exclusive nature of the powers granted in the patents of the successive King's Printers. A real sign of the development of the trade came with the establishment of the Guild of St Luke in Dublin in 1670. An anguished notice by the journeymen printers in Dublin in 1825, intended to deter potential apprentices, stated that the art of printing in Ireland had been rapidly decaying under the withering influence of English monopoly. The 1830s and 1840s were to see the stirrings of independent Irish publishing feeding a growing appetite for nationalist literature.