Kuhn (1933) proposed that the evolution of Germanic syntax began with a need to restore acceptable sentence rhythm after a shift to fixed initial stress. Kuhn found support for his hypothesis in ‘laws’ for word placement that applied in alliterative poetry but not in prose. Kuhn assumed that his laws were syntactic rules of Proto-Germanic maintained by conservative poets. Here I argue that Kuhn's Laws were rules of poetic meter that obscured basic word order. Adopting the universalist approach in Russom (2017), I integrate Kuhn's Laws with the metrical constraints observed by Sievers (1893) and explore the interaction between meter and syntax. When there are no adverse metrical consequences, subject-object-verb order is employed with remarkable consistency in Beowulf, our most valuable source of poetic evidence. My analysis receives independent support from Smith (1971), a study of the earliest Germanic texts that focuses primarily on prose.
