We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter focuses on the Apollo Theatre, Shaftesbury Avenue, and discusses the post-war history of West End and commercial theatre in Britain. It aims to consider the ways the commercial sector and its proprietors, producers, and productions, have been shaped by, and have responded to, the changing conditions of the industry in this period. Starting and mostly staying in one location – resolutely in the heart of London’s ‘Theatreland’ – creates a tight spatial focus in an industry which in many other ways is characterised by movement: of productions, artists, audiences, and influence. The chapter explores a long-running set of tensions between heritage and contemporaneity, culture and development, and artistic and commercial interests that have played out at both the Apollo and across the wider West End and commercial sector. It argues that the Apollo makes for a reasonably representative study of the wider history and trends in post-war commercial theatre. What emerges from its history is a picture of a sector that, despite extraordinary change in both the industry and the world in which it operates, has weathered or absorbed many of these changes and demonstrated continuity, sometimes surprising, sometimes troubling, sometimes remarkable.
This chapter provides an overview of macroeconomics, which is the study of the economy as a whole. We first discuss what macroeconomics is about. Then we describe how different types of economies (market economy, planned economy, and mixed economy) work to solve economic problems in human society. Then we discuss how economic modeling helps to understand economic phenomena. Finally, the chapter provides a brief history of macroeconomic thought.
This chapter explores how Jews and the indigenous inhabitants came to see themselves as members of national communities. It begins with a description of “culture of nationalism” –– a collective belief in society that the assumptions that undergird nationalism are part of the natural order. It then describes how the indigenous inhabitants of Palestine and the Jews of mainly Eastern Europe, embedded within empires undergoing transformations that imbued them with structures associated with modern states, came to see themselves as a homogeneous grouping. In the case of the indigenous population of Palestine, that grouping was imperial in scope. The Jews of Eastern Europe, however, were “othered” by the majority community, and thus came to see themselves as a people apart.
Theatre in Market Economies explores the complex relationship between theatre and the market economy since the 1990s. Bringing together research from the arts and social sciences, the book proposes that theatre has increasingly taken up the mission of the 'mixed economy' by seeking to combine economic efficiency with social security while promoting liberal democracy. McKinnie situates this analysis within a wider context, in which the welfare state's tools have been used to regulate, ever more closely, the lives of citizens rather than the operations of markets. In the process, the book invites us to think in new ways about longstanding economic and political problems in and through the theatre: the nature of industry, productivity, citizenship, security and economic confidence. Theatre in Market Economies depicts a theatre that is not only a familiar cultural institution but is, in unexpected and often ambiguous ways, an exemplary political-economic one as well.
Health care cuts and restructuring are shifting the site of acute care from hospitals to homes and prompting provincial governments to introduce varying forms of mixed economies in home care. Typically, such arrangements seek to drive down public costs and to reposition service users as “consumers” of market-modelled care. Drawing on an ongoing study of frail elderly women and women with disabilities receiving home care in Ontario, this paper explores the significance for service users of these economic and political objectives. Rather than feeling like consumers free to exercise choice and demand quality in the mixed economy of home care, they experienced their positioning within it as insecure and subordinate and its supply as unpredictable and meagre. The implications of these findings for fashioning secure and equitable public responses to elderly and disabled citizens who need assistance at home over the long term are discussed.
This chapter concentrates on the provision of urban social services concerning poverty and health, especially critical life situations associated with unemployment, low wages, life-cycle stages, illness and death. Britain as voluntarism became municipal and increasingly mutually interdependent with the local state of local government and the poor law. In the mid-nineteenth century the reliance on families for the provision of social welfare may have been even greater in urban industrial towns than rural areas and small towns. The chapter then focuses on the continuities and changes in the provision of social services with regard to poverty and health. It explores alternative sources of assistance and their interrelationships in the mixed economy of welfare. Finally, the chapter examines to what extent these changed during the period and paying particular attention to whether there were distinctive urban aspects and to variations among urban areas.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.