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This introductory chapter reviews the existing literature on the study of world history in China and offers a summary of key themes and main arguments of the book through a case study. Examining a conflict between a senior scholar Wu Mi and his junior colleagues in the early 1950s, it shows how the external influence from the communist state had transformed the relationship between different generations of scholars in academia under the newly established teaching and research unit system (jiaoyanshi). This case registers the widespread tension between state control and intellectual resistance in the emergence of the new research field of world history, which, as this Introduction argues, is an important key to understanding the development of world-historical studies. It not only affected the lives of individual historians but also gave way to the unintended rise of academic nationalism and the simultaneous marginalization of the discipline of world history. As the Introduction shows and the book will argue, this social and political dimension is a crucial factor in shaping the tension between national and world histories in China; and, in a subtle way, it was also a factor in the formation of twentieth-century Chinese identity.
Nationalism is pervasive in China today. Yet nationalism is not entrenched in China's intellectual tradition. Over the course of the twentieth century, the combined forces of cultural, social, and political transformations nourished its development, but resistance to it has persisted. Xin Fan examines the ways in which historians working on the world beyond China from within China have attempted to construct narratives that challenge nationalist readings of the Chinese past and the influence that these historians have had on the formation of Chinese identity. He traces the ways in which generations of historians, from the late Qing through the Republican period, through the Mao period to the relative moment of 'opening' in the 1980s, have attempted to break cross-cultural boundaries in writing an alternative to the national narrative.
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