Archaeogaming is an area of increasing interest within archaeology. As archaeogaming's theory and practice are being fleshed out, it is worth considering if there are parallels to traditional archaeological methods within the study of video games. Here, we examine one such possibility: is there an archaeogaming equivalent to experimental archaeology? As a case study, we explore the system used for the mid-1980s development of an unreleased video game prototype for the game company Activision. Through examining this development system, whose use would be otherwise invisible in the finished software artifact, we demonstrate how we have both reconstructed a seemingly lost piece of the system virtually and used this reconstruction for experiments. The methodology we describe can be applied to digital artifacts within contemporary archaeology beyond the scope of video games, and it illustrates some key differences between studying physical and digital artifacts.

Games and other forms of play are core human activities, as vitally constitutive of cultural and social practices in the past as they are today. Consequently, play, games and fun should be central in archaeological theory, but our review shows they are anything but. Instead, very few studies deal with these concepts at all, and most of those that do focus on how the affordances play offers link it to ritual, power or other ‘more serious’ phenomena. Here, we offer an explanation as to why play has taken such a backseat in archaeological thought and practice, relating it to the ambivalent aesthetics of having fun with the past in our own discipline. Building on our own playful practices and those of other scholars in the ancient board gaming and archaeogaming communities, we propose a move towards a more playful archaeology, which can provide us with a new window into the past as well as into our own professional practices.

In the last decade, archaeologists have been using human-occupied interactive digital built environments to investigate human agency, settlement, and behavior. To document this evidence, we provide here one method of conducting drone-based photogrammetry and GIS mapping from within these digital spaces based on well-established methods conducted in physical landscapes. Mapping is an integral part of archaeology in the natural world, but it has largely eluded researchers in these new, populated digital landscapes. We hope that our proposed method helps to resolve this issue. We argue that employing archaeological methods in digital environments provides a successful methodological framework to investigate human agency in digital spaces for anthropological purposes and has the potential for extrapolating data from human-digital landscape interactions and applying them to their natural analogues.

Contemporary life has become deeply entangled with the digital. Every day, huge quantities of data, or digital artefacts, are generated. To date, the archaeological study of these artefacts has been limited, its potential demonstrated by a few initial studies and, more recently, the emergence of archaeogaming. If archaeology seeks to understand human culture, however, the study of these digital artefacts must become mainstream. This will require collaboration with computer scientists to bring an archaeological sensibility to understanding the virtual. Ultimately, the aims and methods required resemble those that archaeologists have already developed, but require a change of mindset if they are to be widely deployed for the study of digital artefacts.