This chapter argues that textual fluidity may be understood as a fundamental component of early Black Atlantic literature, texts orally related or written by individuals of African descent, predominately those first published before 1800. Early Black Atlantic orators and writers revised their texts for various purposes; nonauthorial subjects also regularly altered the literature for a variety of reasons. New – and needed – discoveries concerning the publishing and reception histories of early Black Atlantic literature emerge when unauthorized, posthumous, and abridged editions are studied with the same rigor as authorized editions. By employing this approach, Lamore offers fresh insights on the publishing histories of John Marrant’s, Olaudah Equiano’s, and Venture Smith’s autobiographical narratives.

This chapter offers an understanding of puritan aesthetics by approaching it through the religious experience of conversion. Insofar as aesthetics are ever thought of in relation to puritanism, the usual scholarly conversation concerns the role, relevance, and consequences of the puritan plain style. Plain style matters, but it does not explain the broader aesthetic intentions or forms of puritan writing. Conversion comes much closer to the heart of it. Radical Protestants in early New England insisted that true religion began with the power of God acting on the individual to produce conversion to a new life of delight in God. The unconverted might seek to “prepare” themselves for that transformation of the heart, but predestinarian theology demanded that the crucial moment of change must be utterly external – a true work of God and not one of self-fashioning. In preaching, in poetry, and in personal conversion relations, puritans used the language of the heart to describe God’s power in conversion. This chapter traces how the response to sorrow and beauty characterizes puritan conversion stories from the first establishment of the colony of Massachusetts.