Liberalism is at the heart of modern ‘Western’ history, politics, and international relations. Central to understandings of liberty, freedom, democracy, rights and the rule of law, liberalism has animated debates on abolition and empire, war and peace. This chapter provides an account of liberalism as a contested phenomena that originated at least in the eighteenth century and has had profound international political consequences ever since. To tell this story, the chapter begins by considering how to make sense of the contestations surrounding liberalism, before examining how and why liberalism matters to International Relations at key moments of its development as a discipline: in the age of empires, the inter-war years, during the Cold War and ‘new’ world which ensued, and now in this epoch of endless war.

This chapter examines the rise and growth of human rights. First, it discusses the historical development of human rights. Second, it outlines how human rights are understood today. Third, it explains how the liberal universalism that lies behind human rights has come up against cultural resistance. Finally, the chapter touches on some challenges that lie ahead in the struggle for human rights.

After addressing Germaine de Stäel’s ‘invention’ of European Romanticism in On Literature and On Germany, the introductory chapter explains the editorial choices behind the collection, including its expansive time frame, European focus, and comparative method. It then surveys Lord Byron’s continental reception to demonstrate the utility of a pan-European approach. Although extremely familiar, the case of Byron and of Byronism is of central importance to the history of European Romanticism because of the European role that it gave to British literature, but also because it brings to the fore some common problems raised when using Romanticism as a critical category. The next section looks at how literary historians have addressed these problems, then discusses some of the period’s most salient features. The final part provides a chapter by chapter synopsis in order to help readers navigate the volume.

The section’s final chapter examines the relation between philosophy, poetry, and criticism, revisiting a number of concepts introduced in previous chapters, including the development of a historical imagination and of organicist ideas of nature and culture, the new interest in aesthetics as a moral source, and the rise of sensibility as a challenge to disembodied reason. All of these contributed to a sense of crisis inherent to Enlightenment itself. It first reads the English poets Thomas Gray and Edward Young, traditionally seen as precursors of European Romanticism, alongside Kant’s First Critique to show how the philosopher sought to save reason from Hume’s scepticism by making it the product of a shared knowledge based on nature rather than book learning. the chapter then explains how the notion of ideas as historically and linguistically mediated emerged out of Vico, Rousseau, and Kant, giving particular attention to the Genevan philosopher’s social thought. The last part examines the Kant-Herder controversy, which brought to a crisis key tensions in late-Enlightenment culture between critical reason and a direct, lyrical insight into natural causality. The latter was dismissed by Kant as a dangerous form of ‘genius-cultism’ that lent itself to revolutionary fanaticism.

The primary goal of Chapter 3 is to introduce some of the important themes that have come up when philosophers think about the (human) mind, where it comes from and how it relates to the body and to the surrounding world. To this end, we visit a division of philosophy called the philosophy of mind, which will involve a review of a variety of “-isms” (such as rationalism, empiricism, mind–body dualism, monism, materialism, idealism, behaviorism, physicalism, associationism, and so on). We also meet a number of important philosophers who have developed various and often opposing views on the nature–nurture issue. We conclude with a discussion of what philosophers of mind call “the hard problem,” how to explain the notion of consciousness.

The two great Victorian Platonists – George Grote and Benjamin Jowett – are often perceived as championing diametrically opposed perspectives on Plato: utilitarian vs. idealist. This chapter argues that no less important is what they had in common: an ‘atomist’ hermeneutics, in fierce reaction against attempts to make a system out of the dialogues; and a combination of scrupulous attention to the texts as historical documents with insistence that giving Plato his place in the history of philosophy and ‘in the scale of human improvement’ was no less the historian’s obligation. Finally, both men were active in the public sphere, looking for similar ‘modern applications’ of what was best in Plato’s political thought, particularly in the sphere of education.

The Conclusion locates Heidegger’s interpretation of Kant among contemporary Anglophone interpretations. The author shows that Heidegger’s interpretation is legible within the broader landscape of Anglophone Kant scholarship by charting its position on Kant’s metaphysics, discursivity, conceptualism, idealism, and historicism. It is concluded that Heidegger offers us a live option for interpreting Kant.

What can a model of continence based in male physiology have to offer female writers? This chapter argues that the strong opinions that Vernon Lee expressed about sex and its relation to art in her early writing should not be dismissed as the result of repression or parental indoctrination, as they have been by previous critics. Lee, like Johnson, combined Paterian sensuous continence with other nineteenth-century discourses, particularly discussions of sexual health by New Women writers, and the result is central to her theorizing about life, social ethics, and art. She insisted on the harmfulness of sex to both individuals and society, and that those who felt otherwise were suffering from ‘logical misconception’. But Lee was also an aesthete, for whom sensuous experience was extremely important. She worried that continent aestheticism would limit an aesthete’s experience and lead to solipsism and waste. Her answer was a Paterian disciplined love, a reaching out to what is unhealthy and corrupt, whether people, places, or artworks, and learning to filter the good from the bad, to ‘cleanse and recreate it in the fire of intellectual and almost abstract passion’.

Derek Offord surveys the clashing ideological movements building towards cataclysm in Russia at the end of the nineteenth century: the revolutionary currents (idealisms, socialisms, populisms, terrorisms) that flourished in the years leading up to the assassination of Alexander II in 1881, and the reactionary elements of conservative nationalism that gained ground under Alexander III. Offord considers Chekhov’s non-ideological but politically charged writing within this context.

Gary Saul Morson provides an overview of the ideological ferment of the Russian intelligentsia, the quasi-religious devotion that Russian progressives brought to new dogmas of nihilism, populism, atheism, and scientism, while emphasizing Chekhov’s status as the most steadfast of major Russian writers in his rejection of the ideological fanaticisms of his contemporaries among the intelligentsia.

This introduction offers an account of Jacobi’s importance for intellectual history and describes how he positioned himself at the centre of critical debates in a way that would shape the intellectual terrain for coming generations.

Part introduction to the frame around 1933, part initial case study, the first chapter introduces Kurt Weill’s Symphony No. 2, the symphony-in-progress he carried in his suitcase as he escaped Nazi Berlin for exile in Paris in March 1933. The chapter explores its 1934 premiere in Amsterdam, where critics took issue with both the popular-sounding music and with Weill himself – neither seeming suitable for the symphonic genre – to introduce the book’s central concerns: how, at this uncertain and turbulent political moment, the specific cultural anxieties that emerge around symphonies can generate insights into how people thought about both subjectivity and about political and aesthetic notions of space. If previous scholarship on the genre has largely been wedded to nation-states and grand political narratives, this chapter instead argues for a transnational approach and lays out the symphonic genre’s long history of entanglement with Germanic philosophies of subjectivity and space, from E. T. A. Hoffmann to Paul Bekker.

The scope of this book is summarized in terms of the basic issues that have historically confronted psychology. The five systems of psychology -- psychoanalysis, Gestalt psychology, the third force movement, behaviorism, and cognitive psychology -- have been compared along critical areas of neo-functional applications and extensions of psychology as well as the enduring questions. The result points to the relationship between psychology and science, and in particular, the problems resulting from a reliance on materialistic empiricism. Psychology as a theoretical discipline has suffered from the disagreements and controversies since its formal definition in the 1870s. Yet during this time, psychology has been successful as an applied science.