We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Why have so many Latin American authors recently taken up themes of Nazism, the Second World War and the Holocaust? This introduction re-caps the development of Latin American literary production from the nineteenth century to the present in order to explain why it is a notable trend that can tell us about phenomena as diverse as literary generations, globalization, racism, precarious labour, dictatorship, democracy, ethics and ontology. It investigates whether narratives from Argentina, Chile, Mexico, Colombia and Brazil have anything in common in their approaches to the subject; and whether they are similar or distinct from works by their canonized precursors such as Jorge Luis Borges, Carlos Fuentes, Carlos Onetti and Ricardo Piglia. Ultimately, this introduction sets out a framework for understanding a gradual shift in Latin American literature, from novels underpinning the ‘imagined communities’ of nations (Benedict Anderson), to authors deconstructing these and instead gesturing towards ‘inoperative communities’ (Jean-Luc Nancy).
Addressing the question of why many Latin American fiction authors are writing about Nazism, the Second World War and the Holocaust now, this book charts the evolution of Latin American literary production from the 19th Century, through the late 20th century 'Boom', to the present day. Containing texts from Mexico, Colombia, Brazil, Argentina and Chile, it analyses work by some of the most well-known contemporary writers including Roberto Bolaño, Juan Gabriel Vásquez, Jorge Volpi, Lucía Puenzo, Patricio Pron and Michel Laub; as well as notable precursors such as Jorge Luis Borges, Carlos Fuentes and Ricardo Piglia. Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction argues that these authors find Nazism relevant to thinking through some of the most urgent contemporary challenges we face: from racism, to the unequal division of wealth and labour between the Global 'North' and 'South'; and, of course, the general failure of democracy to eliminate fascism.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.