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Discovered in 1995, the remarkable thirteenth-century frescoes in the great hall, or Aula Gotica, of Rome's Santi Quattro Coronati complex are among the most important vestiges of medieval Italian painting. In this volume, Marius Hauknes offers a thorough investigation of the fresco cycle, which includes allegorical representations of the liberal arts, the virtues and vices, the seasons, the signs of the zodiac, and the months of the year. Hauknes relates these subjects to the papacy's growing interest in fields of worldly knowledge, such as music, time, astrology, and medicine. He argues that the Santi Quattro Coronati frescoes function as a large-scale, interactive encyclopedia that not only represented secular knowledge but also produced philosophical speculation, stimulating beholders to draw connections between pictorial motifs across architectural space. Integrating medieval intellectual history with close attention to multi-sensory and architectural conditions of fresco Hauknes' study offers new insights into religion, art, science, and spectatorship in medieval Italy.
Religious authorities, who were often political powers too, functioned at all levels, from the papacy to the parish, and also shaped personal attitudes towards heaven and hell. The chapter discusses hopes, fears and calculations of the religious community. In the centuries from 1100 to 1500, Christian ideas about the afterlife trace three great developments. The first is the democratisation of conscience. Second is the increased focus on 'the interim', the time between one's death and the general resurrection and Last Judgement at Christ's Second Coming. Third, as time passed, in the fourteenth and fifteenth centuries, purgatory, suffrages and issues related to the interim became problematic in their own way. Another stabilising influence from the early Middle Ages is an analogy that informs virtually all medieval eschatology. Saint Patrick's Purgatory publicises a place to which the penitent might travel in order to structure their repentance. Beneath the level of papal declarations, Parisian theologians worked to articulate a consistent afterlife.
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