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Returning to the cultural context in which Berlioz conceived his work, other angles of approach to the music, the programme, and the sequel have become a focus of recent approaches to Symphonie fantastique. Some recent overviews appear in biographies of Berlioz, all of which necessarily return to his own Memoirs when relating his music to his personality and life experiences. Scientific developments interested him and may have had an effect on his music, as did his study of instruments, old and new, later expounded in a treatise. Writers have reviewed aspects of the supernatural within the ‘fantastic’ and the importance of the symphony in the development of programmatic instrumental music (related to something outside itself, biographical, literary, or visual). Symphonie fantastique, while it should not overshadow Berlioz’s other works for the concert hall or the stage, remains the critical turning point in his development.
Ths chapter examines compromise as a face of moderation and shows how compromise properly understood can help us address the deep affective and ideological polarization in American society today. The compromsing mindset open to conciliation and bargaining is opposed to the uncompromising one that borders on authoritarianism.
The purpose of this paper is to trace the origins and decline of the diagnostic entity monomania, which became prevalent in the early 19th century and to investigate its use in Irish psychiatry.
Method
The French psychiatric scientific writings of the early 19th century have been surveyed to identify and describe the clinical entity of monomania. The clinical description of monomania has been investigated and its cultural diffusion through literature and the arts has been reviewed. The increase in its use as a diagnosis and its ultimate decline has been documented in France, Britain and Ireland. The clinical characteristics leading to the diagnosis in Ireland have been investigated through the clinical symptoms recorded in patients accorded this diagnosis in the 19th century case books and committal documentation of the Richmond District Asylum and case books of the Central Mental Hospital.
Findings
The diagnostic entity of monomania first emerged in France in the 1820s and had disappeared from use in the hospitals of Paris by 1870. It first appeared in Ireland in the patients’ admission register of the Richmond District Asylum in 1833 and increased substantially before decreasing just as markedly with the last patient, given the diagnosis on admission being in 1878. However, the diagnosis of monomania was applied to admissions to the Central Mental Hospital as late as 1891. The Irish asylum case books have been of limited value in elucidating the clinical and symptomatological presentations leading to its use by 19th century Irish psychiatrists.
Conclusions
Monomania, although enjoying a scientific and cultural success in France, both within and without psychiatric circles, was a tenuous clinical entity with an ill-defined and uncertain core and fragile boundaries, both in France and more particularly in Ireland. In pure form, rarely described, its closest modern equivalent would have been delusional disorder, but case descriptions only occasionally correspond to this concept as it is understood today. Its popularity dating from around 1830 declined and by the 1870s it was in terminal decline. The factors delineating its rise and fall are unclear.
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