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Music therapy is a commonly used intervention added to usual care for psychiatric disorders.
Aims
We review the evidence for music therapy and assess its efficacy as an adjunct therapy across psychiatric disorders.
Method
A systematic literature search was conducted in four scientific databases to identify relevant meta-analyses. Articles were assessed with the AMSTAR-2 tool. The results of the high-quality articles were recalculated with the data from the primary studies. We decided to add the results of the lower-rated articles, using a narrative approach. We pooled the primary studies and calculated standardised mean differences (SMD) for the transdiagnostic outcomes of depression, anxiety and quality of life. We used the Grading of Recommendations, Assessment, Development and Evaluations (GRADE) tool to assess the level of evidence.
Results
Meta-analyses were available for autism, dementia, depression, insomnia, schizophrenia and substance use disorders. We identified 40 relevant articles. One article per domain was identified as high quality. Music therapy added to treatment as usual showed therapeutic value in each disorder. The transdiagnostic results showed a positive effect of music therapy on depression (SMD = 0.57, 95% CI 0.36–0.78), anxiety (SMD = 0.47, 95% CI 0.27–0.66) and quality of life (SMD = 0.47, 95% CI 0.24–0.71). However, these effects were not maintained at follow-up, and all results were based on low or very low evidence.
Conclusions
Music therapy shows promising potential as an adjunctive treatment for psychiatric disorders, but methodological weaknesses and variability limit the evidence. More high-quality, well-powered studies are needed to reliably confirm its effect size.
Music therapy can effectively address children’s psychological, emotional, cognitive, and social needs. Music therapy can provide a safe and supportive environment for children to process their emotions and deal with the grief of losing a parent.
Online delivery is new to the field of music therapy (MT). This research investigated older adults’ perceived quality of MT online by certified music therapists. In this feasibility study, applying both process and outcome assessments, nine older adults volunteered to participate. Zoom was used, and a virtual music therapy (VMT) kit was developed as a resource. Surveys and observed technical difficulties revealed that perceived quality varied slightly by level of technical difficulty experienced; however, overall mean perceived quality was 7.2 out of 9. Post-study interviews revealed three main themes: (a) individual experiences with VMT, (b) individuals’ suggestions for further development of VMT sessions, and (c) individuals’ personal outcomes from VMT sessions. Participants reported overall positive experiences with VMT. Despite a slight decline in perceived quality when more technical difficulties were present, each participant reported a desire for more sessions, and they would recommend it to others.
Compassion fatigue is a condition that occurs in individuals who are continuously involved in providing care or emotional support to others who are experiencing suffering or difficulties. This condition can affect the physical, emotional, and psychological well-being of health professionals. The results of a literature review show that music therapy can effectively reduce stress levels, emotional exhaustion, and burnout symptoms associated with compassion fatigue. This article proposes the use of music therapy as an effective alternative to reduce compassion fatigue.
Creativity is connected to healing in many different ways. Creative people are more likely to experience post-traumatic growth or beneficial psychological changes that come in the aftermath of trauma. Creative activities can also help maintain emotional equilibrium. The cognitive reappraisal of seemingly negative events is associated with divergent thinking. Notably, the act of drawing, writing, or making music simply for the pleasure of the act can improve one’s mood by helping reduce sadness, anxiety, and anger. Even passively engaging in the arts can improve one’s mood and stave off potential cognitive decline.
Music Therapy (MT) is a growing field that has shown promise in promoting social and emotional well-being. Use of music therapy is a means of dealing with social anxiety, which is a common mental health problem. Potential benefits of using and bridging ethnic music in therapy and public health exist. Strategies to promote the use of music therapy in public health programs are necessary, specifically to address social anxiety.
Music therapy can lift mood and reduce agitation for people living with dementia (PwD) in community and residential care settings, potentially reducing the prevalence of distress behaviours. However, less is known about the impact of music therapy on in-patient psychiatric wards for PwD.
Aims
To investigate the impact of music therapy on two in-patient psychiatric wards for PwD.
Method
A mixed-methods design was used. Statistical analysis was conducted on incidents involving behaviours reported as ‘disruptive and aggressive’ in 2020, when music therapy delivery varied because of the COVID-19 pandemic. Semi-structured interviews conducted online with three music therapists and eight ward-based staff were analysed using reflexive thematic analysis.
Results
Quantitative findings showed a significant reduction in the frequency of behaviours reported as disruptive and aggressive on days with in-person music therapy (every 14 days) than on the same weekday with no or online music therapy (every 3.3 or 3.1 days, respectively). Qualitative findings support this, with music therapy reported by music therapists and staff members to be accessible and meaningful, lifting mood and reducing agitation, with benefits potentially lasting throughout the day and affecting the ward environment.
Conclusions
We identified a significant reduction in the occurrence of distress behaviours on days with in-person music therapy when compared with no music therapy. Music therapy was reported to be a valuable intervention, supporting patient mood and reducing agitation. Interventional studies are needed to investigate the impact of music therapy and its optimum mode of delivery.
The Creative Arts Therapies (CAT) is an umbrella term covering several specialized disciplines: art therapy, dance movement therapy, drama therapy, psychodrama, music therapy, and poetry / bibliotherapy. In these healthcare professions, arts-based creative and expressive processes and their products are used to improve health and well-being within a therapeutic relationship. The first part of this chapter will provide an overview of the CAT disciplines, training requirements, and the field’s history. The second part will describe the therapeutic change factors shared by all CAT disciplines. Part three will discuss evidence-based findings from CAT studies on emotional well-being including regulating and processing emotions, stress relief, depressive symptoms and grief processing. Finally, in part four, future directions for CAT research will be suggested, with an emphasis on change process research, including mechanisms of change.
Music was widely used within lunatic asylums in nineteenth-century England as part of the ‘moral management’ of patients via entertainment and occupation. The asylum at Ticehurst stood apart on account of its patient body, drawn from the upper classes of society. Documents relating to music at Ticehurst shed new light on the place of music within mental health treatment in the nineteenth century, and particularly on the perceived role of music in understanding the function of the brain in listening, emotions and the intellect. The main body of the article draws on the Ticehurst archives together with patient accounts of their musical experiences to investigate the ways in which music was used at the asylum. The final part takes as its focus an article published by the asylum’s manager and medical officer, Herbert Hayes Newington, in which the appreciation of music by patients comes under scrutiny.
Music therapy can be defined as the controlled use of music or musical elements by a qualified therapist with a client or a group of clients. The active or passive delivery of musical therapy may facilitate the development of individual potential and/or restore psychological functions of the individual, allowing to obtain better interpersonal, physical, and psychological functioning. Indeed, existing literature suggested that music therapy holds a significant therapeutic potential in a number of psychiatric disorders, including psychosomatic, anxiety and affective syndromes. More recently, evidence concerning the potential of music as a mean to increase group cohesion, acceptance, interpersonal relationships in psychiatric settings has highlighted the potential to improve the patient’s global functioning, social functioning, mental state, and positive/negative symptoms of psychoses. Traditionally, music therapy is delivered in controlled outpatient setting and few evidence point to a possible role in the treatment of acute psychoses, during their hospital stay. Recently, newer evidence has recently piled up and showed that music therapy can induce clinical (in particular, on affective symptoms), functional and quality of life improvement in patients with acute psychoses, even over a short period of time such as during emergency hospitalization. The reported effects might be related to complex neural modulation phenomena involving different interhemispheric, cortical and subcortical brain pathways. Practical clinical experiences, setting or implementation issues and quality standards in music therapy will also be discussed.
This study evaluated the effect of music intervention on the anxiety and stress responses of patients who underwent an interventional cardiac catheterisation.
Methods:
The study design was a pre- and post-test randomised controlled trial that included 94 patients who underwent a transcatheter atrial septal defect closure. Patients were allocated to receive either music intervention (n = 47) or usual care (n = 47) during the interventional cardiac catheterisation. Music intervention effectiveness was examined in terms of anxiety, salivary cortisol level, and heart rate variability.
Results:
The average age of participants was 45.40 years (±16.04) in the experimental group and 47.26 years (±13.83) in the control group. Two-thirds (66.0%) of the participants in each group were women. State anxiety (F = 31.42, p < 0.001), anxiety-numerical rating scale (F = 20.08, p < 0.001), salivary cortisol levels (F = 4.98, p = 0.021), and low-frequency component/high-frequency component ratio (F = 17.31, p < 0.001) in the experimental group were significantly reduced compared with those in the control group at the end of the music intervention.
Conclusion:
This study provides practical evidence of a reduction in anxiety and stress response from music intervention preceding an interventional cardiac catheterisation, indicating that this intervention should be considered in clinical management.
We continue our discussion of how music may provide therapeutic benefit. This chapter broadens our discussion of music as a therapy and describes the beneficial use of music in the areas of depression, recovery from stroke, and other neurological impairments such as Alzheimer’s disease.In accord with our humanistic tack, we embrace caregiving concerns and emphasize the whole-person approach as we consider neurological impairments and the promise of music therapy to facilitate cognitive-behavioral function and to cope with disability. Therefore, we describe pathological changes in neurocognitive performance, and how music may afford opportunities for regaining behavioral function, self-expression, and enhanced quality of life.
We discuss how music may play a role in confronting age-associated health and wellness concerns. Common age-associated illnesses such as diabetes, depression, and pain and the benefits of music therapy are noted. The central focus of this chapter is on resiliency, the capacity to recuperate quickly; recovery, the return to wellness; and, personal growth, the process of gaining new insight, understanding, and adapting. Embracing a humanistic orientation, we explore how music gives vital meaning to life, aids in the recovery from surgery, and assists in managing illnesses. Scientific as well as personal descriptions of how music musical activities may bolster well-being and provide a path to illness management and recovery are offered. Examples of therapeutic approaches used in areas of neurocognitive disorders and with US military veterans are noted.
Music is a metaphor that connects people to a profound sense of life. In this book, music intersects with wellness and aging as humans adapt to life changes, stay engaged, remain creative, and achieve self-actualization. Along with discussion of cutting-edge research, the book presents stories and interviews from everyday people as well as professional and non-professional musicians. It discusses individual and social wellness, age-related and pathological changes in health, music therapies, personal resilience and growth, interpersonal and community relationships, work and retirement, spirituality, and the psychology of aging. The case studies show how music, wellness, and aging connect to define, direct, and celebrate life, as these three concepts allow people to connect with others, break down barriers, and find common ground.
Dementia has become a worldwide concern. According to the World Health Organization, there are 50 million individuals suffering from dementia across the world and approximately 20 million new cases are diagnosed each year. The efficacy of medications in controlling agitation and psychotic symptoms is modest and may cause serious adverse effects, outlining the urge for new treatment methods for patients with dementia. Music therapy (MT) is a nonpharmacologic strategy that is used in patients with early-to-late stages of dementia with promising results.
Objectives:
The aim of this presentation is to evaluate the benefits of music therapy in cognitive functioning and neuropsychiatric symptoms in patients diagnosed with dementia. We also summarize the current knowledge about this topic.
Methods:
A non-systematic review of the literature was performed on PubMed, PsycINFO and Web of science using selected keywords.
Results:
MT sustains its benefit because musical memory regions in the brain are relatively spared compared to cognitive function. “Musical memories” can, thus, be stored longer than non-musical memories, allowing to recall associated life events and emotions. Systematic reviews suggest that MT seem to have a positive effect on symptoms such as depression, anxiety and behavioral problems while the findings concerning agitation/aggression are inconsistent. No large differences were found between studies using live or recorded music although the latter reported more of a consistently positive impact on behavioral and psychological outcomes. The studies using live music, however, reported specific benefits to relationships and interactions.
Conclusions:
The majority of the studies have methodological limitations, making it difficult to offer firm conclusions. Despite this, there were positive results on aspects of quality of life, cognitive function, behavioral, psychological, physiological and communication outcomes.
This chapter is concerned with the relationship between imagination, communicative musicality, intersubjectivity, and therapeutic practice. It begins with a personal account of the history of the theory of Communicative Musicality, tracing its origins in the domains of psychology and psychobiology (including the study of child development), psychiatry, and the neuroscience of emotion, with particular reference to the work of Colwyn Trevarthen, Daniel Stern, and Jaak Panksepp. There is discussion of the relationship between phenomenology and intersubjectivity, beginning with Husserl and Heidegger, and leading toward the work of Daniel Stern and the importance of the idea of the “present moment” in both psychotherapy and everyday human relationships. The chapter goes on to describe how the theory of communicative musicality and related psychology, psychobiology, psychiatry and neuroscience have influenced therapeutic creative work with children who are victims of conflict. There is discussion of the pathology of PTSD, including dysregulation of the autonomic nervous system, endocrine systems, movement repertoires and breathing, and the potential for communicative musicality to help alleviate both mental and physiological symptoms. The chapter ends with an example of work with imagination, communicative musicality, intersubjectivity, and therapeutic practice in the field, with Syrian refugee children in the Beqaa Valley, Lebanon.
Self-esteem in schizophrenic patients is low. Self-esteem is the most important factor in these patients improvement and music therapy enhances self-esteem.
Objective
This study has been conducted with the aim of examination the effect of music therapy on self-esteem of chronic schizophrenic patients.
Methods
In This experimental research regarding pilot study and inclusion criteria, 70 persons of male in-patient chronic schizophrenic patients were determined and allocated in 3 groups: experimental 1(24 persons), experimental 2(22 persons) and control group (24 persons) randomly. Music game was implemented in experimental group 1 and lyric analysis in experimental group 2 for one month, 12 sessions, lasting 45 minutes each. Demographic questionnaire and Coopersmith self-esteem Inventory were measured. In internal consistency assessment, chronbach’.α 0/84 and in test-retest reliability, pearson correlation coefficient 0/89 were determined. SPSS version 15 and one way ANOVA, paired t test, Chi-square, Kolmogorov-Smirnov, levene's tests were used for data analysis.
Results
There was not significant difference between self-esteem of patients in experimental and control groups before music therapy and between experimental groups 1 and 2 after music therapy (P>0/05) whereas there was significant difference between experimental and control groups and in intervention groups 1 and 2 after music therapy (P< 0/05).
Conclusion
Music therapy enhances self-esteem in chronic schizophrenic patients and also there was not considerable change in self-esteem increase between music game and lyric analysis. These two types of music therapy can be used in enhancing self-esteem of these patients.
This chapter provides the reader with a succinct review surround the issues with uncontrolled pain and provides methods for non-pharmacologic treatment in children. The chapter discusses the sequalae of untreated pain and provides the reader with a detailed explanation of the theory behind distraction techniques. The various distraction techniques are discussed based on age appropriate selection.
Music therapy has been shown to be effective for reducing anxiety and pain in people with a serious illness. Few studies have investigated the feasibility of integrating music therapy into general inpatient care of the seriously ill, including the care of diverse, multiethnic patients. This leaves a deficit in knowledge for intervention planning. This study investigated the feasibility and effectiveness of introducing music therapy for patients on 4 inpatient units in a large urban medical center. Capacitated and incapacitated patients on palliative care, transplantation, medical intensive care, and general medicine units received a single bedside session led by a music therapist.
Methods
A mixed-methods, pre-post design was used to assess clinical indicators and the acceptability and feasibility of the intervention. Multiple regression modeling was used to evaluate the effect of music therapy on anxiety, pain, pulse, and respiratory rate. Process evaluation data and qualitative analysis of observational data recorded by the music therapists were used to assess the feasibility of providing music therapy on the units and patients’ interest, receptivity, and satisfaction.
Results
Music therapy was delivered to 150 patients over a 6-month period. Controlling for gender, age, and session length, regression modeling showed that patients reported reduced anxiety post-session. Music therapy was found to be an accessible and adaptable intervention, with patients expressing high interest, receptivity, and satisfaction.
Significance of Results
This study found it feasible and effective to introduce bedside music therapy for seriously ill patients in a large urban medical center. Lessons learned and recommendations for future investigation are discussed.
The majority of literature about children experiencing family violence focuses on reporting ‘problems’ and highlighting detrimental outcomes for children. In contrast, there is little acknowledgement of children's personal resources and capacities in times of crisis.
This article describes a participatory arts-based research project involving 10 pre-adolescent children. The research aimed to explore children's individual resources and to highlight the value of giving voice to children through participatory processes. A collaborative songwriting method sought to co-construct knowledge with children about what helped them to ‘do well’ in their lives. An illustrative example demonstrates the collaborative process of engaging children throughout the data generation, collaborative analysis and presentation of the findings. The children described a range of resources and supports in their lives, such as friends, family, sport, pets, journaling, hope and creativity. Five themes explore the role these resources play in children's lives: seeking refuge, wanting to feel safe, hoping for a better future, feeling cared for and being self-determined. The results emphasise the ongoing need to build upon existing resources in children's lives and to support them to navigate access to additional resources. We advocate for participatory approaches that provide opportunities for children's voices to be heard, fostered and responded to.