This article explores the role a human skeleton played in the queering and shaping of dance modernism. In the early decades of the twentieth century, an important intervention propelling dance toward a modernist aesthetic while disrupting the regulatory norms of gender construction, began in a women's college gymnasium via a skeleton. Two impulses generate this archival-based inquiry: one that traces the history and symbolic formulations of nationalism, race, and gender that followed skeletons into the university as they anchored conceptualizations of the modernist dancing body; and another that locates the intervention of a queer body in dance through this skeleton.
