In 2007, near Harrogate, in North Yorkshire, a Viking-period hoard was discovered with a Carolingian silver-gilt cup. This article examines this cup, highlighting Oriental, Central Asian and classical parallels in both metal and pottery for the cup’s form and decoration. The overall significance of the cup’s iconography has already been thoroughly discussed by Professor Egon Wamers, who proposed that the scenes on the cup are paralleled in the early ninth-century Stuttgart Psalter. This article proposes that Oriental forms and decorative elements in metalwork were channelled to the West through diplomatic contacts and trade by way of a complex of routes by land and sea, as well as possibly by refugees from Islamic conquests.
