While most accounts see worshippers of Saturn as indigenous Africans or rural peasants, this chapter argues that stele-dedicants used stelae to articulate positions for themselves within the frameworks of the wider empire. Unlike earlier stelae, which worked to imagine stele-dedicants as a horizontal community of equals, stelae dedicated from the first century BCE onward became billboards that asserted the prestige of dedicants in the deeply localized but also vertically structured world of the Roman Empire. This can be seen in the adoption of new anthropocentric iconographies that adapt a koine of imagery, the composition of stelae, and new titles for worshippers like sacerdos that are borrowed from a civic sphere.

This chapter argues that a significant number of central figures shown on stelae were not the dedicants of the stelae, but instead used visual markers that identified them as children. In the first century BCE, children were most often aged and gendered in depictions by their nudity. At sites of the second and third centuries CE, by contrast, the images of children shared iconographies and conceptualizations of their subjects with funerary monuments for children from across the empire. In particular, togas, scrolls, pets, and hairstyles, as well as showing the figures older than they were, reflects how child offerings were being reconceived as social persons and subjects of empire.

The new conceptualization of molk-style rites shown in Chapter 7 led to shifts in how sanctuaries were structured and in the entailments these new structures had for the communities who used them. While past studies have focused on the movement from open-air stele fields to monumental sanctuaries as evidence of “Romanization” or the creation of “Romano-African” temple-types, this chapter argues that these new built temples instead participated in wider civic-style practices of benefaction and spectacle in ways that sought to foreground sacrificer-benefector figures. At the end of the second century CE, a number of stele-sanctuaries were rebuilt in monumental forms that privileged central altars, the spectacle of animal offering, and dining. This shift in the spatial dimension of worship afforded new possibilities of practice and social ordering that closely resemble those of the wider imperial world, creating a “sacrificial compromise” where local forms of authority were predicated on being central to the pageantry of sacrifice.

Chapter 15 details Goethe’s commitment to Greek and Roman art, demonstrating that it pervades all his activity, including his literary work. His interest was primed by his years as a student in Leipzig, but his Italian journey of 1786–8 was the turning point, for it enabled him to connect the theory which he had learned with his own creative practice. Moreover, Italy gave him access to both Roman and Greek heritage. The chapter also examines neoclassical tenets in Goethe’s writing on art and closes with an analysis of his characterisation of Winckelmann.

This section consists of four selections from Plato, Aristotle, Cicero and Quintilian that serve as an introduction to the classical understanding of rhetoric. What is rhetoric? Is it an art or a mode of knowledge? What is its value? What are its elements or parts?

Loanwords are divided into cultural borrowings and core borrowings, then categorised into semantic fields to allow typological comparisons. Fewer borrowings come from Roman political and military power (i.e. fall into semantic fields connected to law, government, and the army) than was previously thought. An analysis by parts of speech shows that nouns predominate but adjectives and verbs were also borrowed. Two loanwords related to identity, ‘Roman’ and ‘Christian’, are given more detailed consideration in the context of the imperial and late antique world.

From the first century AD, Cambridge was raided, invaded and settled by different groups of people from overseas, for about a thousand years. The author charts how Cambridge changed, grew and shifted geographically: from Roman fort on Castle Hill to Anglo-Saxon town trading on Market Hill; from Viking port by Quayside to Norman stronghold with a motte and bailey castle on Castle Mound, occupied by the much-loathed Sheriff Picot. Local resistance fighters Boudicca and Hereward the Wake are included. Stephanie Boyd draws on evidence ranging from landmarks such as Devil’s Dyke, to local place-names and a rare bed burial at Trumpington Meadows, to piece together a picture of life in the local area more than a thousand years ago.

The account of the best life for humans, that is, of happy or flourishing life, was the central theme of ancient ethics. This book addresses other important questions about the value of life that likewise received much discussion in antiquity: What does it take to have a life that, if not happy, is at least worth living, in comparison to being dead or never having come into life? Does every human life have some non-instrumental value that makes it worth living? And do all lives that are worth living for those who live them also have to be meaningful, in the sense of making a positive contribution to other humans or world at large? In reconstructing, for the first time, philosophical engagements with these questions from a range of ancient philosophers, from Socrates to Plotinus, the work offers a fresh narrative of ancient ethics. It explores these views against the background of the pessimistic outlook on the human condition adopted by the Greek poets, but also points out continuities and contrasts between the ancient perspective and modern philosophical debates about related themes in biomedical ethics and in the ethics of procreation.

The use of local languages is sometimes considered a marker of resistance to Roman power or culture. However, we show that continued use of local languages cannot necessarily be equated with resistance, nor is it easy to identify the use of language or script in particular inscriptions as driven by a desire to express resistance. This chapter discusses how (and whether) it is possible to know when resistance is involved in language use in the Roman Empire and examines case studies of inscriptional evidence pertaining to the use of Faliscan, Oscan, Paelignian, Venetic, Celtiberian, and Hebrew. We propose that many of them were written to present a ‘non-Roman’ rather than an ‘anti-Roman’ identity, and that ‘non-Roman’ identity could stand alongside both acceptance of Rome and violence resistance to its political hegemony.

The origins of modern georgic writing lie in the ancient Mediterranean, in the literature of ancient Greece and Rome. On the Greek side the genre begins with the poetry of Hesiod, embraces dozens of treatise in poetry and prose written during the Hellenistic era, and comes to an end in Byzantine times with the massive compilation of farming lore known as the Geoponica. Latin georgic starts with Cato’s essay on agriculture, culminates in Vergil’s Georgics – the poem that defined the genre for later European authors – and persists in the Latin prose of Columella, Pliny, and Palladius. The diversity of the genre evades definition. Its popularity is unsurprising in the context of a world where wealth meant ownership of land and most people tilled the soil.

The introduction provides an overview of certain recurring subjects of the study, including music’s role in fostering the “good cheer” of the banquet, the power of metasympotic representations, the use of music for communication and display, the social and political aspects of self- and class-display through social music, ways in which elite music-making at archaic and classical symposia influenced customs of later periods and their interpretation, and the interconnections between dining and the festival/theater in all periods.