In the last 500 years our modern world has oscillated between the belief in “disenchanted” strategies of bureaucratic control and surveillance, and the celebration of iconoclastic ruptures that are supposed to preserve our sense of freedom and dignity. Yet, the equilibrium between these poles has fallen out of balance after the turn of the millennium. While the obsession with control has released concerted efforts to replace our supposedly irrational intelligence by the “artificial intelligence” of digital technologies, the implementation of ICT technologies in our everyday life has undermined the iconoclastic conviction that artefacts are merely tools. Our smartphones have a “magic life” of their own – be it that they afford a life that we appreciate, or that they nudge us into a life that we abhor. This challenge requires us to recover our ability to distinguish between idolatrous attachments and the prudent use of “magic objects” that is consistent with our natural desire to transform our life for the better. The following essay will discuss the question to what extent the basic assumptions of the confessionalized religions of the post‐Reformation era distract us from the task of engaging with this challenge. Moreover it will question the modern inclination to replace the engagement with sacramental objects with an engagement with pious “master signifiers”: authoritative substitutes for the “body of Christ”, like the Eucharistic host, the Bible or secular party books that reduce the attachment to religious traditions to a matter of formal belief and submission to an authoritative system of clerical, bureaucratic, or (today) robotic surveillance.

Theological and evolutionary anthropological analysis of the role of song in human and (some) animal communication can help to expand our understanding of the ways that language functions as mediator of the divine-human relationship. This article considers the role of a musical protolanguage in the evolution of human language, demonstrating the connections between contemporary human language and the songs or calls of other animals. Consideration of the broader category of communication in the place traditionally held by a more narrow understanding of language can help to highlight the role that emotion, instinct, and relationality play in the relationship that humans have with God. Such a realization opens the doors to further theological questions about the role of humanity in a suffering creation, the relationship between God and nonhuman creatures, and the role of song in liturgical celebration.

I discuss the recent tendency to extend the concept of sacramentality by applying it to the world or to aspects of it like beauty, e.g. by David Brown in his God and the Enchantment of Place. I look at the Church's traditional teaching on sacraments, in terms of signs, words, and effectiveness, making use of J.L.Austin's work on Performative Utterances, and explore how these three features might apply to the extended concept of a sacrament. I argue that we can perceive signs-by-likeness of God in the world, especially in beauty, and that we can often discern the effectiveness of such signs. We lack, however, anything here corresponding to the words of the sacraments of the Church. I conclude, therefore, that the parallel between sacraments in an extended sense and the sacraments of the Church is only partial; nevertheless the extended usage is justifiable, provided that we realize its limitations.