First English translation of Iwein[B], a German adaptation of Chrétien's famous Yvain.

First ever English translation, with facing edition, of an important medieval German Arthurian romance.

Wigamur is an anonymously-authored, thirteenth-century Middle High German romance about a king's son who is lost to his parents in infancy. The eponymous hero, after being carried off in childhood by a mermaid, rescues an eagle which becomes his constant companion; in subsequent adventures he also rescues a maiden, becomes a Knight of the Round Table, and finally confronts a knight who of course proves to be his father, from whom he inherits a kingdom. The romance is perhaps the most most fully realized example of the Fair Unknown, or Bel Inconnu, motif in both the German and larger European Arthurian traditions.
Owng in part to the lack of an English translation, unlike other contemporary German romances, Wigamur has been comparatively little studied. This volume aimsto fill this need. It presents an edition of the text ( based on the only complete manuscript, Wolffenbüttel, Herzog August Bibliothek, Cod. Guelf. 51.2. Aug. 4 (W), dating from the last half of thefifteenth century), accompanied by facing translation, notes, and introduction.

Joseph M. Sullivan is an Associate Professor of German at the University of Oklahoma.

This is the first English translation of the earliest Italian Tristan romance, the Tristano Riccardiano, preserved in MS. 2543 of the Biblioteca Riccardiana in Florence. In Italy, Tristan was more popular than any other Arthurian hero; the French prose Tristan gained great currency, soon yielding Italian prose translations / adaptations. The Riccardiano, dating from the late thirteenth century, is notable for representing an early branch of the French prose Tristan, now lost. The translation offers new evidence for the development of the Tristan story in Europe, particularly in the changes it rings on the themes of love, chivalry, honour, betrayal, and adultery. In theme and narrative style the Riccardiano reflects a new audience and a new social context, that of an urban Tuscan middle class, and an important stage in the emergence of Italian prose narrative. Apparatus includes an introduction, a select bibliography, a synopsis of the romance, an index of proper names.

Erec is the earliest extant German Arthurian romance, freely adapted and translated into Middle High German by the Swabian knight, Hartmann von Aue, from the first Old French Arthurian romance, Chrétien de Troyes' Erec et Enide. Hartmann's work dates from c. 1180, but the only (almost) complete manuscript dates from the early sixteenth century, copied into the huge two-volume Ambraser Heldenbuch, now housed in Vienna - the most comprehensive extant compilation of medieval German romances and epics, commissioned by Emperor Maximilian I. Otherwise, only a few earlier medieval fragments survive. Erec tells the story of a young knight at King Arthur's court, whose early prowess wins him high repute, and a beautiful wife, Enite. He falls into disrepute because of his excessively zealous devotion of his time to her. Alerted to his notoriety, he embarks on a series of symbolic adventures, which eventually lead to his achieving a new balance between the claims of love and those of society. Far more than a simple translation, Hartmann's first attempt at an Arthurian romance is notable for its zest and gusto. This is the first edition with a parallel text translation into English; it is presented with explanatory notes and variant readings. Cyril Edwards is a Senior Research Fellow of Oxford University's Faculty of Medieval and Modern Languages, and an Honorary Research Fellow of University College London.

On 17 March 2000 several hundred members of a charismatic Christian sect, the Movement for the Restoration of the Ten Commandments of God (MRTC), burnt to death in the group's headquarters in the Southwest Ugandan village of Kanungu. Days later the Ugandan police discovered a series of mass graves containing over 400 bodies on various other properties belonging to the sect. Was this mass suicide or mass murder? The question of whether Kanungu is best understood as mass suicide or multiple murder is more than just an intriguing detective story: it goes to the heart of how the event should be perceived and understood in both religious and social terms. Based on eight years of historical and ethnographic research, 'Ghosts of Kanungu' provides a comprehensive and scholarly account of the MRTC and of the events leading up to the inferno. It argues that none of these events can be understood without reference to a broader social history of Southwestern Uganda during the twentieth century, in which anti-colonial movements, Catholic White Fathers missionaries, colonial relocation schemes, the breakdown of the Ugandan state, post-war reconstruction, the onset of HIV/AIDS, and the transformation of the regional Nyabingi fertility cult into a Marian church with worldwide connections, all played their part. The themes of this book were presented by the author when he gave the Evans-Pritchard lectures at All Souls College, Oxford. RICHARD VOKES is Senior Lecturer in Anthropology at the University of Canterbury, New Zealand. Uganda: Fountain Publishers (PB).