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  3. The Cambridge Edition of the Works of Aphra Behn
  • General Editors: Elaine Hobby, Loughborough University, Claire Bowditch, Loughborough University, Gillian Wright, University of Birmingham, Mel Evans, University of Leicester

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2 results in The Cambridge Edition of the Works of Aphra Behn

Plays 1676–1678
  • Volume 2, Plays 1676–1678
  • Aphra Behn
  • General editor Claire Bowditch, Elaine Hobby
  • Edited by Jennie Challinor
  • Coming soon
  • Expected online publication date:
    October 2025
    Print publication:
    31 October 2025
  • Aphra Behn's career in the Restoration theatre extended over nearly two full decades, and encompassed a remarkable generic range and diversity. The plays in this volume, published and performed between 1676 and 1678, include comedies set in London and Naples (The Town-Fopp and Sir Patient Fancy; The Rover), and two anonymously published plays long associated with Behn's name (The Counterfeit Bridegroom and The Debauchee). Collectively, Behn's plays of this period exemplify her skills in writing for individual performers, and exhibit both the topical political engagement with and sophisticated response to Restoration libertinism for which she is renowned. They also bear witness to Behn's popularity with theatre audiences during the politically difficult years of the 1670s. The present edition draws on recent scholarship on Restoration literary, theatrical and political history, and is also informed by the most up-to-date research in the field of computational attribution.

Plays 1682–1696
  • Volume 4, The Plays 1682–1696
  • Aphra Behn
  • Edited by Rachel Adcock, Kate Aughterson, Claire Bowditch, Elaine Hobby, Alan James Hogarth, Anita Pacheco, Margarete Rubik
  • Published online:
    04 March 2021
    Print publication:
    25 March 2021
  • Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.