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Fama, or fame, is a central concern of late medieval literature. Where fame came from, who deserved it, whether it was desirable, how it was acquired and kept were significant inquiries for a culture that relied extensively on personal credit and reputation. An interest in fame was not new, being inherited from the classical world, but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer shows a preoccupation with ideas on the subject of fama, not only those received from the classical world but also those of his near contemporaries; via an engagement with their texts, he aimed to negotiate a place for his own work in the literary canon, establishing fame as the subject-site at which literary theory was contested and writerly reputation won. Chaucer's place in these negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary place. This volume considers the debates on fama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.
A new two-volume edition of the sources and major analogues of all the Canterbury Tales prepared by members of the New Chaucer Society. This collection, the first to appear in over half a century, features such additions as a fresh interpretation of Chaucer's sources for the frame of the work, chapters on the sources of the General Prologue and Retractions, and modern English translations of all foreign language texts. Chapters on the individual tales contain an updated survey of the present state of scholarship on their source materials. Several sources and analogues discovered during the past fifty years are found here together for the first time, and some other familiar sources are re-edited from manuscripts closer to Chaucer's copies. Volume I includes chapters on the Frame and the tales of the Reeve, Cook, Friar, Clerk, Squire, Franklin, Pardoner, Melibee, Monk, Nun's Priest, Second Nun and Parson. Chapters on the other tales, together with the General Prologue and Retractions will appear in Volume Two. ROBERT M. CORREALE teaches at Wright State University, Ohio; MARY HAMEL teaches at Mount St Mary College, Maryland.
The use Chaucer made of costume rhetoric, and its function within his works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, especially medievalromances and fabliaux, and his manipulation of rhetorical conventions through variations and omissions. In particular, it addresses Chaucer's habit of playing upon his audience's expectations, derived from their knowledgeof the literary genres involved - and why he omits lengthy passages of costume rhetoric in his romances, but includes them in some of his comedic works, It also discusses the numerous minor facets of costume rhetoric employed in decorating his texts. Chaucer and Array also responds to the questions posed by medievalists concerning Chaucer's characteristic pattern of apportioning descriptive detail in his characterization by costume and in his depiction of clothing and textiles representing contemporary material culture, focussing attention on the literary meaning of clothing and fabrics as well as on their historic, economic and religious signification. LauraF. Hodges blends her interests in medieval literature and the history of costume in her publications, specializing in the semiotics of costume and fabrics in literature. A teacher of English literature for a number of years, sheholds a doctorate in literature from Rice University.
Literature of the city and the city in literature are topics of major contemporary interest. This volume enhances our understanding of Chaucer's iconic role as a London poet, defining the modern sense of London as a city in history, steeped in its medieval past. Building on recent work by historians on medieval London, as well as modern urban theory, the essays address the centrality of the city in Chaucer's work, and of Chaucer to a literature and a language of the city. Contributors explore the spatial extent of the city, imaginatively and geographically; the diverse and sometimes violent relationships between communities, and the use of language to identify and speak for communities; the worlds of commerce, the aristocracy, law, and public order. A final section considers the longer history and memory of the medieval city beyond the devastations of the Great Fire and into the Victorian period. Dr ARDIS BUTTERFIELD is Reader in English at University College London. Contributors: ARDIS BUTTERFIELD, MARION TURNER, RUTH EVANS, BARBARA NOLAN, CHRISTOPHER CANNON, DEREK PEARSALL, HELEN COOPER, C. DAVID BENSON, ELLIOT KENDALL, JOHN SCATTERGOOD, PAUL DAVIS, HELEN PHILLIPS.
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